The Sanur festival is one of the highlights of the annual secular calendar in Bali. Now in its 14th year, this year’s festival was held over 5 days, from August 21 to August 25, and included a huge programme of cultural, environmental and sporting events, including a jukung race, windsurfing and surfing competitions, fishing competition, an early morning beach clean up, a turtle release, photography exhibition as well as food and music events lasting well into the night. This is very much a local festival, and not targeted towards the tourist, like many draw card events held in Ubud. Having said this, some foreigners do attend and are encouraged to join in, especially in events such as the clean up programme, the fishing comp and other international sporting events. For me, the highlight of the Festival was the cultural parade on the last day. This took place in a nearby street: various teams from the district banjar had been rehearsing their band and barong dances for months ahead.
Most of these portraits were taken as the young men eagerly awaited their turn to perform in front of the judges. Some rehearsed their percussion, others were nervous, or eager to get going. The street show lasted for two hours- bad luck for the bank up of traffic, diverted through the narrow lanes near the traditional market. Once each new group moved into position to begin their performance, the intensity was transporting. These young men dressed in black and white outfits definitely stole the show. Pure percussion- loud, electric, erotic, thrilling. Terima kasih banyak.
Food, glorious food, glorious Balinese food. It’s one of the reasons I keep returning to this beautiful island. Good Balinese food is seductive yet quite subtle. Two famous Balinese sambals, sambal matah and sambal merah, add depth to a simple grilled fish or chicken, while the combination of white pepper and coriander seeds, turmeric and galangal, purple shallot, lemongrass, palm sugar, chilli, and terasi ( fish paste) are pounded together to make a rich tasting bumbu, or Balinese spice paste, the basis for a simple curry.
There are many tiers of eating establishments, or rumah makan, in Bali: you can pay a fortune at an upmarket international hotel, continuing to eat the cuisine from your home country, or watered down versions of local cuisine in a Western style restaurant, or you can try a more authentic and economical meal at a simple warung. A warung is a small family owned eating place, often located on the street or beach. Some may look a little ramshackle and temporary, often with small benches and plastic stools, and will usually be patronised by locals. Other modern warungs have sprung up in the beach suburbs around Sanur, but some bare no relationship to the real thing.
Many warungs are made from wooden, bamboo or thatched materials, perhaps with tin walls. In the past, the Warung tenda, a portable warung that looked like a tent, was more common, with roofing and walls made from Chinese blue and white plastic tarps. Other interesting warungs include kitchen carts on wheels, colourful bright blue Bakso stalls, motorbikes with gas cookers, and night market warungs set up with little tables and chairs. Warungs also tend to specialise in one or two dishes which are often based on a secret family recipe.
I’ll admit It takes a brave heart to venture into the tasty world of the street warung: you need to assess the cleanliness of these eateries and often that’s quite hard. Word of mouth, and popularity with locals- these are good indicators. Also check out the washing up facilities and water used. Good warungs are clean as hundreds of locals eat here every day. You may need to know a few food words, and simple phrases if you have special dietary preferences as often there’s no menu or price. Tanpa daging ( without meat) or tidak daging ( not meat) will suffice if you don’t eat meat. As food is often cooked to order, a warung cook is happy to adjust a recipe for you, leaving out ingredients that you don’t like.
Tasty selection for nasi campur
Nasi campur at Warung Santai
nasi campur, around $2.30 for rice and three selections. Warung Santai, a ‘westernised’ warung.
Not all warungs are cheap: a few located around the Sanur beaches have become famous, rating highly on TA and frequented more by tourists than locals. One popular grilled fish restaurant, Amphibia, operates flat-out from midday till late. They work from a small tin shed, and grill the fish and seafood on a charcoal BBQ set up on raised platforms outside. Bench seating is nearby. You order your fish, lobster, prawns, octopus, squid and clams by weight, then they are barbecued and served with rice and vegetable urab and sambal. These boys never stop. They buy the fish early in the morning at Jimbaran, then store it under ice in large tanks: during lulls in business, you can watch them tenderising and peeling octopus, cleaning prawns and fish, running hoses around the place and stoking the BBQ with charcoal. A share plate of snapper, prawn, shrimp, a few calamari rings and razor clams is AU$20. Sit on a little stool on the beach and share the platter, washed down with a Bintang beer.
Another Warung favoured by Westerners is Jackfish, a family run business right on the beach just past Semawang. Nyoman, the brains behind this warung, trained as a mechanical engineer but after working off shore for years, decided to open a fish themed Warung. His mother waits on tables and makes the Urab ( mild tasting Balinese salad made from bean shoots, green beans and coconut ). His father sorts cutlery and napkins and helps with the accounts. Nyoman does the grilling, waiting on tables and everything else. The family come from five generations of fishermen, and now source their daily deliveries from local sources. They often cater for large parties so check before hand as Jackfish closes when they do large groups. When I’m staying in the Semawang end of Sanur, I eat at Jackfish everyday, it’s that good.
When in the mood for snacks, I head for warungs specialising in deep-fried foods, called Gorengun. At these little carts you’ll find feep fried springrolls, deep-fried tofu or Tahu Isi ( Tofu stuffed with bean shoots) and battered gado-gado and other things with tofu, as well as an array of sweets such as Onde-Onde. A bag of 8 snacks will cost around AU$1 and will come with a few green chillies and chilli sauce.
The Warung situated right in front of the Bunjar Pantai Semawang, has great ocean views and is well sheltered from the wind. They do the best spring rolls in the district. Three large vegetable lumpia ( AU$1.50) make a tasty lunchtime snack. Try with a mug of hot lemon tea ( AU.65c) a fresh juice ( AU$1.50) or cut straight to the chase with a chilled Bintang to wash them down.
Most readers will be familiar with the restaurant term, Pasta del Giorno, pasta of the day, which in Italy, never strays too far from well-known classics. Pasta combinations vary from region to region or town to town but the seasoning, pasta shapes used and sauces will usually be particular to that area. Campanilismo is alive and well in Italy. I cook pasta at least once a week, hence the title of this post, Pasta della Settimana- pasta of the week. This may become a new weekly series, using fresh seasonal ingredients and a new world Italian approach, as well as documenting some traditional classics.
Pasta never gets boring so long as you change the pasta shapes, use fresh seasonal ingredients, as well as excellent extra virgin olive oil and Italian Parmigiano. The total cooking time is usually 12 minutes, including the preparation, which can take place as the pasta cooks. Mr Tranquillo, my kitchen hand, grates the Parmigiano and pours the wine, and if it’s a sunny day, sets the outside table.
This simple recipe comes from the Campania region. In some ways it resembles that classic Roman dish, Cacio e Pepe in that it includes Pecorino Romano but it’s one hundred times easier to make. It’s generally made with tubetti, which are short tubular shapes such as Ditalini, or Maccheroni shaped pasta.
Ingredients for four serves
1 clove garlic
5 Tablespoons EV olive oil
some flat leafed parsley, cut finely
black pepper, freshly ground to taste ( I like lots)
50 g pecorino, grated
50 g Parmigiano Reggiano, grated
400 g pasta tubetti, such as ditalini
Cook the pasta in lots of boiling salted water for the time suggested on the packet.
Crack the eggs into a large bowl and lightly beat adding apinch of salt and pepper.
Add the pecorino to the eggs, mix well, then add the parmesan. The mixture should be clear but quite thick.
In a wide non stick pan, ( I tend to use a non stick wok for all my second stage pasta making these days) warm the olive oil and add the clove of garlic until it turns a pale gold, then remove it. Turn off the heat. Then add the drained cooked pasta shapes to the hot oil and saute for one minute.
Add the pasta to the egg and cheese mixture, tossing about to mix well with a wooden spoon. Then add the finely chopped parsley.
Serve in heated plates with a green salad and extra cheese if desired.
Campanilismo is a term derived from the word campanile, the bell tower and refers to an attachment to one’s birth place and the traditions that go with that town or village. In one sense, it can be described as parochialism. When talking about cuisine, this attachment can be both positive and negative. The positive aspects include the preservation of traditional dishes and foods of the region or the town: the negative side is that food choices and ingredients have become limited and limiting, reflecting the modern Italian’s tendency to look inwards and backwards. New foods and different ways of serving things are often viewed with suspicion, believing that the local version is the best and only way.
Travelling from south Bali to Ubud, some routes pass through the juncture of the Monkey Forest and its famous shopping strip, Monkey Forest Road. If you arrive by car in that stretch of urban Ubud in the afternoon, you will join a notorious traffic jam that threatens to choke that town to death. The street travels one way, yet the traffic often grinds to a standstill. Even the pedestrians, all tourists, appear to be walking in slow motion, the footpaths on both sides congested with shoppers, walkers, diners and those just trying to get from A to B. Many are looking for that elusive gift among the colourful tourist jumble of goods on display in these tiny shop windows. Others, like me, are wondering why they have returned to Ubud at all. And then, while stuck in that motionless car, trying to curb my impatience, I spotted it, the shop of my dreams, a store devoted to hand dyed indigo, Ikat, and Batik. Like a pharos, its blue and white window display would lure me back.
In order to take these photos, which are prohibited, I met with the owner, Kadek Wira. The shop has been open for three years now and things were slow at first. Kadek explained that the business provides valuable work for women, especially those who need part-time work or home based work, due to family commitments. The business also helps revive the traditional Balinese arts of weaving, dying, Ikat and batik- fine arts that are becoming lost as cheap, manufactured versions take over. In a sea of mass-produced baubles and trinkets, it’s wonderful to find someone ready to invest in and promote Balinese artisanal skills.
If you visit just one shop in Monkey Forest Road, let it be this one. One lovely indigo item will last you a lifetime, growing more beautiful with age. The antithesis of the throw away society, these textiles can be treasured now, then passed down for generations to come.
For lovers of textiles and indigo, including Maxine, Rachael, Sandra, Diane, and Jan Alice, and other secret admirers.
IKATBATIK, art for nature. Jl Monkey Forest. Ubud, 80571, Bali, Indonesia. phone+62 361 975 622. www.ikatbatik.com
Bruschetta is a celebration of seasonal ingredients. It could be a simple version with newly pressed olive oil or a summer version with vine – ripened tomatoes. On the surface, it is an uncomplicated Italian antipasto dish and yet it is so often misunderstood and easily stuffed up. The key to good bruschette is the quality of the ingredients.
Let’s start with the pronunciation. I am sure I have posted on this topic before, but as Bruschetta is the most mispronounced culinary term in Australia, with wait staff leading the way, it is worth another go. Phonetically, the word can be divided into three parts: Broo- Skeh- Ta. There is no SHHH sound in the middle, as sche in Italian makes the SKE sound. ( sce or sci makes the shh sound). The next thing to note is that there is a subtlety to the sound of the broo part of the word. American speakers of Italian invariably turn this sound into Brew, whereas the sound is much closer to Brook or lies somewhere between the two. Here’s a little sound bite that might assist:
Next the bread. The best bread to use for this dish is a rustic and fairly dense white bread such as Pane di Casa or Sourdough ( not ciabatta- too holey- and not fluffy French breadsticks). As the word Bruschetta is derived from Bruciare, to burn, and Bruscare ( Roman dialect) to roast over coals, an open charcoal grill or BBQ achieves both these outcomes best, especially if serving simply with garlic, new oil and salt. Many family run trattorie throughout country Sicily and Campania have a small open fire in the wall near the kitchen for cooking alla brace. For the home cook, the nearest version is to use a heavy cast iron ridged grill over a gas flame. Also keep in mind that the size of each bruschetta should not be too large. The diminutive ending –‘etta’- suggests something small and dainty, not a boat-sized toasted thing. Bruschette are not the same as Crostini. Crostini are small rounds of bread baked in olive oil in the oven and are much harder and crunchier.
About the toppings. Bruschetta is a classic example of a dish where less is more. Originally, the dish consisted of bread, oil, and garlic. If you have some new season freshly pressed olive oil on hand, I recommend you go no further, other than rubbing the grilled bread with garlic. In tomato season, a topping of garlic, tomato and maybe a little basil, is just right. This is not a dish for imported winter tomatoes that have sat in storage for eons. I also find hydroponic tomatoes extremely disappointing in flavour. If you are shopping at a farmer’s market, ask how they are grown before buying seasonal tomatoes. If they look completely regular in size with neatly cut stems, chances are they are hydroponically grown. Choose those that have grown organically and in the open air. The best tomatoes to use for this dish are Roma or Egg tomatoes. The flesh on these is much firmer and they are not so wet and seedy. My photos show Rouge de Marmande tomatoes, which are very tasty but a little too mushy for this dish.
Adding other non-Italian things, such as fetta cheese, is a real distraction from the simplicity of this dish. Australian cafes have a ‘dog’s dinner’ approach to Bruschetta presentation, shoving too much stuff on top. Some celebrity chefs, like Ottolenghi, also have a tendency to muck around with classic dishes. Keep it simple and authentic, especially if you happen to have top ingredients.
This tomato Bruschetta recipe is based on an old classic by Anna Del Conte.¹ The recipe serves 8 people. Halve or quarter according to your numbers.
6 sun ripened firm tomatoes, preferably Roma or Plum tomatoes
a handful of torn fresh basil leaves or a few pinches of freshly dried oregano
8 slices of good crusty bread, cut 1cm thick
4 garlic cloves, peeled and crushed
4 tablespoons extra virgin olive oil.
Blanch and skin the tomatoes, cut them in half and remove most of the seeds. Dice the flesh into 1.5 cm cubes. Tear the basil into small pieces, or if using dried oregano, strip from the stem and crush it finely in your hands.
Grill the bread on both sides then rub with the garlic. Cut each slice in half to make them easier to eat. ( or thirds, depending on the size of your slices).
Spoon on some tomato cubes and some torn basil over each slice and sprinkle with salt. Drizzle on the oil and serve at once.
Another approach is to mix the chopped tomatoes, chopped garlic, oil and dried oregano together and to let the mix steep for 10 minutes. Try it both ways and see which way you like it. The salt at the end brings out the flavour.
‘Con il passare del tempo ed il continuo mutare della cucina napoletana, da molti anni si possono assaggiare in tante versioni condite con creme e paté di peperoni, funghi, zucchine,piccoli tocchetti di melanzane, mozzarelle, scamorze e salumi vari.’
With the passing of time and the continuing changing of Neapolitan cuisine over the years, you can taste many versions dressed with pate or pesto of pepper ( Red capsicum), mushrooms, zucchini, small chunks of eggplant, mozzarella, scamorza and various salami. Again, use one seasonal ingredient or meat and keep the topping simple.
¹ Anna del Conte Entertaining All’ Italiana, Bantom Press 1991. This beautiful book presents seasonal menus. This recipe appeared as an antipasto in a summer luncheon for 8 people, and was followed by freshly made Tagliatelle with Mozzarella, Anchovy fillets and Parsley, a side dish of Pepperoni in Vinegar, and finished with Walnuts, Grapes and Parmesan. Traditional, classic food that is not over fiddly.
The day had been planned for months, the invitations printed and sent out with plenty of notice. The venue had been chosen and booked long before, and decorated by Barnadi on the day with long-stemmed, exotic flowers. An old warehouse near the then emerging Docklands precinct of Melbourne, it edged the sea, allowing cool breezes to enter the wooden, cavernous space. The catering was chosen carefully, the cake ordered and delivered. A wedding reception was to be held with all the usual trimmings. Friends and family had flown in from the UK, Australian friends returned from their beach holidays to don frocks and finery for the occasion. The children were excited about being invited to attend such a big wedding reception.
Barnadi and Adam’s wedding reception was held 10 years ago today in Melbourne, followed by a civil wedding service in Bath, Britain. It was a double wedding celebration as the couple had friends in both countries. Adam’s sisters were bridesmaids, his friends were best men, and I became best man/woman/Mother of the Groom to Barnadi. Adam’s elderly, courteous and gentle father, Ray, flew in for the occasion, and naturally, was supportive of this union of two men in love, as we all were and are.
It was a traditional wedding in every sense of the word. The grooms wore immaculate matching suits and ties, with flowered lapels. After the service, the cake was cut followed by the groomal waltz. Speeches were made, and the usual dirty jokes read out, some involving rings, bringing mirth to the assembled witnesses and friends. Kids danced with their parents and too much champagne was drunk.
Despite the lack of legal recognition in Australia and Britain at the time, they celebrated their commitment to each other with a beautiful wedding, a public demonstration of their love, which is, at least for the non- religious among us, all that a wedding, gay or straight, should be. It should also be legally recognised. I was hoping in my heart that by today, we would be celebrating their 10th wedding anniversary in a special way, and that this country would have finally put an end to marriage inequality. We would then have another good reason to party into the night with this loving couple. Despite Australia’s tardiness in getting its act together, those who know Barnadi and Adam, recognise their true marriage and rejoice in their love.
Last count, same-sex marriage is legal in these countries:
The Netherlands (2000), Belgium (2003), Canada (2005), Spain (2005), South Africa (2006), Norway (2009), Sweden (2009), Argentina (2010), Iceland (2010),Portugal (2010), Denmark (2012), Brazil (2013),England and Wales (2013), France (2013), New Zealand (2013), Uruguay (2013), Luxembourg (2014),Scotland (2014), Finland: (signed 2015, effective 2017), Ireland: (2015),USA, ( 2015)
Scratchy photos courtesy of Barnadi’s facebook site, with permission.
The moment I read Beck’s blog post on In Search of Golden Pudding, I knew I would have to try her Hot Cross Bun recipe for Easter. Based on an Elizabeth David recipe, they are easy to make, and include great tips for piping the crosses, though mine, like Beck’s, turned out rather fat and wonky. Next time I will cut a smaller hole in the piping bag.
If you want to have a go at making your own Easter buns this season, keep aside around 3 hours for the two stages of dough rising, and follow Beck’s very straightforward directions. It is a very satisfying task, not to mention the aroma of yeast and spice permeating the kitchen. I added rum soaked sultanas into my mix as I had them on hand, but I believe the currants are more authentic.
For Tuscan style Easter Buns, see my previous post here.