Have you noticed that filo pastry sheets tend to deteriorate once you have opened that skinny little plastic sleeve? I often find myself carefully rolling left over sheets back into their bag and box, only to find them dry and brittle a week later. After making a large Spanokopita for our Greek themed night for the weekend beach camp, I was determined to use the remaining 6 sheets quickly. Waste really annoys me.
This simple plum and semolina tart tastes surprisingly light and not unlike a Plum Danish. The filo pastry sheets are layered into a rectangular baking dish, brushed with butter between each slice, filled with semolina cream, then perfectly ripe blood or Satsuma plums are laid on top. It can be thrown together in minutes. As the amount of sugar in the recipe is minimal, I found myself hoovering down two slices for morning tea. It is lovely served warm with cream. A little crunch, a taste of comfortable custard, and the sharp-sweet rush of juicy ripe plum, this dish is not cloying or rich.
Torta con Crema di Semolino e Prugne. Plum and Semolina Cream Tart.
The filo pastry base
Melt a small amount of butter, around 150 gr should be enough.
Choose a suitable rectangular baking dish and butter it liberally. Layer your left over filo pastry sheets into the base of the dish, brushing with melted butter between each layer. Aim for a rustic look- no need to trim the ends too carefully, though the overhanging ends should be buttered.
The Semolina Cream
1 ½ cups milk
60 gr caster sugar
50 gr semolina
3 egg yolks
Add the milk, sugar and semolina to a medium-sized saucepan. Heat over medium heat and whisk until smooth. Cook for a few more minutes until thick. This will occur quickly so don’t move away from the stove. Remove from the stove when thickened, then whisk the mixture again, then add in the yolks. Cool the cream, covered with plastic wrap on the surface to prevent it forming a skin. When cool, add to the prepared filo pastry lined baking dish, smoothing out the surface.
Choose perfectly ripe plums for this dish. Red fleshed plums such as blood plums or Japanese plums are ideal as they ooze their ruby juice into the custard. Cut the plums in half and remove the pips. Lay them on the semolina cream, cut side down, and push them down slightly into the cream.The number of plums needed depends on their size and the size of your baking dish. I used around 10 plums. Sprinkle the surface with a little caster sugar.
Bake in a pre- heated moderate oven ( 180° C ) for around 25 minutes or until the pastry is golden and the cream puffed and set. Cool a little before serving, though this tart is best served warm.
The idea for this recipe came from one I found here at Cook Almost Anything. Pre- cooking the plums isn’t necessary if you have juicy ripe plums. Try this dessert with other fruits in season.
Flattery will get you everywhere, or is that nowhere? Flattery is often associated with obsequiousness or false praise. But for the hard-working cook, a little flattery, a little praise, or just a heartfelt ‘thank you’ goes a very long way.
I remember those who dine at my table, the ones who say ‘thank you, I enjoyed that, it was really tasty’. I don’t care if they are telling the truth, although I sense that they are. I also remember those who either say nothing at all, or proceed to tell me how they, their wife or the restaurant up the road, makes a delectable version, remaining oblivious to the presence of the food on their plate and in their mouth. I distinctly recall laboriously making a rich, buttery pastry for a summer Charlotte, filling it with spiced plums and apples, and ‘taking the plate’ to a friend’s house to share with him and the assembled others, who had arrived plate- free, for lunch. As the host ate, he recalled the quince tart made by a mutual friend, whose pastry was so much shorter and how delectable it was. This story was related at length with a big spoonful of my **tart in his big ** mouth. I tried to disguise my annoyance, but I have never forgotten that incident. Another chap, enjoying a three course meal with us, spent the time breathlessly talking about his wife’s superb cooking and the wonderful things she makes. No praise for the meal, and only a meagre parting thanks. Don’t you hate that?
Then there is my lovely niece, Louise, who came to stay recently, and commented on every dish she ate – the yoghurt and stone fruit breakfasts, the home-made but stale bread, the soup, the Flamisch, the pasta, the broadbeans. She made proper Maeve O’Mara noises – Mmm, Ahhhh, followed by lovely text messages the next day. “Can you text me a slice of your sourdough,” was her latest amusing message. She is an excellent cook herself and certainly doesn’t need any guidance from me, but she requested my recipe for pizza dough. Since she is such an appreciative guest as is her hungry nine month old bambina, I am finally posting it. Warning, the recipe is short, but the post is long.
Pizza dough from Carol Field’s Italian Baker, with a few variations.
Ingredients for Two Large Pizze
This dough is made in a stand mixer, and lists by cups then in grams. I prefer to weigh. You can make it by hand or in a food processor. Use cold water if using a processor. If using a bread making machine, use the dough setting and cold water, adding the water first.
1 3/4 teaspoons/5 g active dry yeast
pinch of sugar
1 1/3 cups warm water/320 g
1/4 cup/ 55 g olive oil
3 3/4 cup/5oo g unbleached all-purpose flour*
1 1/2 teaspoons /7.5 g sea salt.
Stir the yeast and sugar into the water in the mixer bowl; let stand until foamy, about 5 minutes. Stir in the oil with the paddle. Mix the flour and salt and add to the yeast mixture. Mix until the dough comes together. Change to the dough hook and knead at medium speed until soft and satiny but firm, about 3 minutes. Finish kneading briefly by hand on a lightly floured surface and form into a ball.
Rising and Baking.
Place the dough in a lightly oiled bowl, turn to coat with the oil, cover tightly with plastic wrap and let rise until not quite fully doubled. Depending on the weather, and the room temperature, this may take up to two hours.
Shaping and second rise. Shape the dough with a rolling pin or by hand. Knead the dough briefly and gently on a lightly floured surface, for 1-2 minutes. Divide the dough into two ( this amount will make two large pizze). Roll each piece into a ball on a floured surface then flatten to a thick disk. The easiest way to shape the dough is with a rolling pin*. Roll out thinly, leaving a cornicione, a thicker edge along the rim to keep the sauce in. ( The Cornicione is a favourite of babies, gastronomes and dogs named Bill).
Place the dough on large trays dusted with semolina or polenta and let them rise another 30 minutes, covered with a towel. Dress the pizze with your favourite topping. Turn oven to full ( 250c), and wait until the oven reaches that heat which may take 30 minutes. Cook for around 20 minutes. You can usually smell when the pizza is ready. It is done when the crust is crisp and golden brown. Remove from the oven and brush the crust edge with a little olive oil.
Either place the dough on trays dusted with semolina or polenta, OR, roll the dough out on non stick paper and let them rise on the paper. This allows the trays to be heated in the oven, then you lift the dressed pizza onto the super hot trays.
If using a pizza stone, you need to work out a way of transporting your wobbly pizza base to the stone. The simplest way is to make it on the paper, carry onto the stone, then slide out the paper at the 15 minute point when the pizza has firmed up. As I tend to cook two pizzas at once, the pizza stones seem like hard work to me. I simply use the ‘cooking paper method’ on pre heated trays.
* Flour. So much has been written before about flour. I am not a fan of Farina ’00’ flour for Pizza, although I think it has a place for making fresh pasta and tarts. I’m adding an extract by Carol Field here, who discusses flour types as used in Italy:
Flour in Italy commonly comes from the species Triticum Aestivum, which is divided into two major varieties, soft wheat and hard wheat, (grano tenero) – and from which all bread is made.
Durum hard grain ( grano duro), or Triticum Durum, a different species, is the hardest wheat grown and is usually milled into semolina. It is a golden grain that has a higher protein and gluten content and is used almost exclusively for pasta production.
The Italian baker has five grades of grano tenero to choose from, although they are classified not by strength and protein content like ours but by how much of the husk and whole grain have been sifted away. The whitest flour has the least fibre. The lower the number, the more refined and whiter the flour, so that of the five categories, “00” is the whitest and silkiest flour, “0” is a bit darker and less fine, since it contains about 70% of the grain, and “1” is even darker. Darker and courser is “2”.
For all the talk of the prevalence of whole grain in the healthy Mediterranean diet, only a fairly small percentage of Italian breads are made with whole wheat (Pane Integrale)…Millers simply take refined white flour, stir in a quantity of bran, and pronounce it whole wheat.
The Italian Baker, Revised. Carol Field. P 18
It is good to know a little about flours when we bake. I always use a local flour by Laucke mills ( South Australia) for Pizza baking. Wallaby Flour is described as a Bakers Flour due to the high 12% protein content. I check the date and make sure it has been recently milled. Laucke mills also produce an Australian ’00’ flour, a stone ground, organic wholemeal flour and Atta flour, the latter being great for Indian bread. A range of bulk wholemeal flours may be found at NSM in Brunswick, Victoria and a range of spelt and unusual flours at Bas foods, Brunswick, Victoria. I like the idea of eating local products: the wheat grown and processed in Australia means it is fresher and, as Italians are not averse to chemical use, purer. ’00’ type flour is too refined for Pizza but my dear friend Rachael uses it successfully by adding semolina to the mix, which would give it more strength via the higher gluten content. Sometimes I add 20% spelt flour to the mix for variation but I am mindful that a little extra water may be needed. Playing with different flours is always interesting and all recipes evolve over time. But, like Olive Oil, buy the local product.
Thank you and a little praise goes a long way. Mr T receives praise for all his hard work, grass cutting and maintenance in the gardens and paddocks. He praises me for the food he eats. We take nothing for granted.