My July post will be rather brief and I’ll let the pictures do the talking for a change. Winter has been unusually busy, but some lovely foods have passed through my kitchen on their way to my mouth. I’ve mentioned quite often how much I depend on my orto, my back yard super fresh supermarket of herbs and vegetables. I can’t imagine life without a daily pick. The header photo above captures a radicchio in the frost- this is one vegetable that loves winter.
I’m rather keen on Spanish/Portuguese caldo lately, a soup which uses winter greens along with smoky flavoured vegetables and yellow split peas. I could live on this soup. I’m considering posting the recipe soon as it is so delicious, as well as vegan, and extremely cheap to make. Frugal food is the way to go, and more so when the ingredients arrive plastic and container free. There is an unfortunate trend with the emerging popularity of vegan food- much of it comes wrapped in plastic or other non environmentally friendly containers. This aspect of vegan food really annoys me.
Another of my favourite dishes has always been popular with guests. One of my old dear friends used to hide her empty mussel shells from view in order to eat just a few more. These are Mt Martha mussels stuffed with a mixture of cooked spinach, garlic, parmesan, lemon zest, egg and breadcrumbs, then liberally blessed with EV olive oil.
The pics above were taken before being dressed with dry sourdough bread crumbs and olive oil. It would be impossible to take snaps once they are cooked, as I would miss out on my share. Watch these bite sized morsels disappear.
Another favourite dish, seafood risotto, made with Carnaroli, snapper stock ( frozen from last month’s episode of IMK) a handful of mussels, along with a few small flathead fillets. Splurge!
Thanks once again to Sherry at Sherry’s Pickings for hosting this monthly series. My kitchen posts for August and September will come to you from my kitchen in Bali, as well as a daily post via my instagram account at instagram.com/morgan.francesca. The daily posts will highlight where to eat, Balinese scenes, Hindu ritual, and daily life from the point of view of a semi -expat.
Please also consider following my blog by clicking on the Follow Me button on the side, as I am slowly scaling back my doubling up with Facebook.
It’s around 5 pm and my mind reluctantly begins to address the question of dinner. Lacking inspiration, I pour myself a drink, an encouraging white wine and immediately think of risotto, a dish that asks if it may share some of the bottle. There are tons of broadbeans ( fava beans) and leeks in the garden and plenty of herbs: a risotto primaverile could be the answer. At other times, I do the common thing and google a few ingredients in the subject line, hoping for an instant answer, fully conscious of the fact that random internet recipes are unreliable and are simply another form of procrastination. I often ask Mr T what he would like for dinner. In our household the answer always comes back as a one word statement indicating a particular ethnic cuisine. “What about some Indian?” (or Thai, Italian, Greek, Middle Eastern, French, Indonesian, Malaysian, Chinese, Japanese)? he responds. Vietnamese is off my cooking list- I save that cuisine for at least one economical dining option when out and about. When Melburnians eat, they choose from a huge array of influences and are familiar enough with many cuisines to cook them confidently in their own kitchens.
It’s one of the reasons why I love Melbourne so much. Sitting in the A1 Bakery yesterday, a cheap and cheerful Lebanese restaurant in a vibrant inner suburb, we were surrounded by Australian people of the world, dressed in all manner of clothing styles, from Hijab to Hipster. The decor is eclectic and a little quirky. Above the counter stands a large statue of the Virgin Mary, draped in all her blue and white Catholic glory, an outfit not dissimilar to that worn by some of the customers, while displayed in front of her is a long row of 1 metre high golden hookahs. An odd assortment of pictures decorate the far walls:- a primitive painting of Ned Kelly, the Irish- Australian bushranger legendary hero, an oil painting of Saint Sharbel, a Lebanese Maronite saint dressed in brown monastic garb, a large velvet rug featuring some knife wielding Ottoman Cossacks, and a childlike painting of a cockatoo. The place is always noisy and very busy. On a nearby table, a large group of girls are enjoying a shared lunch together: they have just finished their final year school exams and are celebrating at one of Melbourne’s most affordable eateries. They are Middle Eastern, Turkish, African and Asian Australians. A couple wear glamourously draped head-dress over their teenage uniform of jeans and t-shirts. They speak Melburnian – time to recognise that Australian English has many distinct dialects – and their youthful laughter is infectious.
Below, my home-made falafel, this time with more Egyptian influence and lots of herbs
My next door neighbour in the city has just returned from her annual holiday in Greece. For the last 22 years she has tried to teach me basic Greek. We chat in a mixture of broken English and, in my case, almost non-existent Greek – a case of trying to recognise as many Greek roots and suffixes or Italian sounding words, over a some warm Tiropsomo, a fetta cheese bread snack. Like a little bit of Ouzo, says Anna at any time of the day. Oooh, my favourite Greek word: yes please. She pours herself a thimble full while I receive a good little glass, enough to change the flavour of the day. Cheers, Stin ygiasou . She is now 86 and I want to spend more time in her kitchen. Greek influence in my kitchen extends to old favourites such as Spanakopita, that famous greens and fetta pie, Gigantes, the best of bean dishes, home-made taramsalada and dolmades. I’m keen to learn a few more Greek tricks.
The annual Spring BBQ at Barnardi’s place took place recently: this is one of the culinary highlights of my year. When I arrive at most parties, I usually reach for a glass of wine before perusing the food offerings. At Barnadi’s, I head straight to the buffet table- the anticipation of his traditional Indonesian food is so overwhelming, I become outrageously greedy. Barnadi is a chef who once ran a famous Indonesian restaurant, Djakarta. Lately, he has returned to his roots and is cooking more traditional Indonesian recipes. The Australians attending this event all share a diverse background- Indonesian, Thai, British, Greek, Italian and Swedish, a healthy Melburnian blend. The dessert table included a tray of sticky rice green and pink Indonesian cakes, some Javanese Gembong, a rich Spanish flan, a chocolate cheesecake and a Hummingbird cake for Adam’s birthday.
My mother recently moved into an elderly care facility, commonly known as ‘the place’. The first thing we checked out was the menu. The food is fabulous and varied: the chef, who once had his own restaurant and is of Indian Fijian background, has a great approach to the menu. He hopes to eat this well when he is elderly and so he cooks as if he were a guest at the table. Yes, it’s Karma, we both agree. Visitors can eat with the residents with notice, and there’s always a spare dessert available when visiting during meal times. They are sensational. Each member of staff, from manager to cleaner, is genuinely caring and friendly: they smile, dance and chat to all. These Aussies have Chinese, Malaysian, and Filipino backgrounds and I am so thankful for their loving care of my mother.
I’ll leave you with a couple of my favourite Australian comedy clips, each with a multi cultural theme. Laugh or cringe. Thanks Sherry, from Sherry’s Pickings, for hosting this monthly series.
Wander around the little lanes and back streets of the smaller and less touristy villages of Lake Como and you will find some real gems. One perfect but modest osteria can be found in Cernobbio, a village accessed easily by bus or ferry. I prefer the ferry option, not only for the wonderful views of the Palazzi and gardens along the way, but just to hear the ferryman call out the names of the villages en route, “Torno, Moltrasio, Blevio, Cernobbio”, lazily trilling those ‘r’s and the nautical sounds of whistles, ropes and gangway planks landing.
The day we went to Cernobbio, the wind was icy and the ferry was almost empty: we were well rugged up for the day. It was early November and most of the large gardens had closed for the season. Among our fellow travellers was a young chap, honey blond hair perfectly groomed, sporting a mustard coloured scarf carefully arranged over the shoulder of an expensive and conservative blue outfit, tanned ankles bare above sockless and effeminate boating shoes, with a newspaper tucked under one arm. Too affected to embody the insouciance of a Castiglione courtier, la bella figura gone awry. An aimless and idle palazzo owner perhaps? He was the only other passenger to leave the ferry at Cernobbio. The place looked deserted.
We wandered around Cernobbio: it had that empty, out of season look. Although not accustomed to taking coffee at 11 am, it seemed like a sensible thing to do, given the weather. And this decision led to a most wondrous find, the Osteria delBeuc, a small worker’s cooperative and restaurant up a back lane in Cernobbio. This is where all the locals were hiding on that cold November morning. At one large table, a group of older men in sensible jackets were grazing on morning snacks to go with their pre- lunch wines. A few tables away, couples were partaking of coffee but there was a sense of expectation in the air. More people were beginning to arrive. I glanced at the paper sheet listing the menu of the day. The gregarious waiter/front of house/barman advised that I should book immediately as there was only one table left for 12.30. Good advice. I ordered a Spritz and settled in for some more people watching, buoyed by the glowing euphoria that only a Prosecco laced with Campari can produce at such an ungodly but most welcome drinking hour.
By 12.40, the place was packed. The elderly gentlemen reluctantly vacated their morning table and wandered back to the safety of their separate homes, wives and a home cooked meal. The table was then replaced with a large group of hungry young office workers. Smaller tables were occupied by elegantly dressed couples, some accompanied by small, pampered dogs on leads: the place was alive as the enthusiastic waiter theatrically went about his business.
But then, dear reader, you didn’t come all the way with me to Cernobbio to simply ogle the locals, although if you’re a bit like me, you probably enjoy a bit of people watching as you travel through life, inventing scenarios and stories for each one. The food at Osteria del Beuc is well priced and seriously very good. Honest and simple food cooked perfectly. The lunch menu came with prices for one, two or three courses, 9€/ AU$14, 12€/AU18/ €14/AU22, which included a 250 ml carafe of wine per person. Of course I went for the three course option.
For il primo, I had a composed salad of endive, spinach and soft white cheese, beautifully dressed while Mr T had a zucchini frittata. Then came a creamy risotto dish, perfectly cooked, nicely moistened, cooked in red wine, with rosemary and Taleggio cheese, the latter still visible and just beginning to melt. Sadly there is no photo, but if there were, it wouldn’t look great- just a pile of wet white rice on a plain plate. And yet it tasted sensational. The bread supply was generous. A fairly ordinary chocolate mousse followed. This didn’t detract from the overall delight of the meal and the venue: I have come to expect unimaginative desserts in Italy and should remember not to order them, unless there’s a visible nonna on site who may have just baked a homely torta of fruit or nuts.
I have worked on recreating that lovely risotto dish and will continue to refine it. The Cernobbio version retained a lovely creamy white appearance and perhaps used less red wine and a little less rosemary than my version. Every time I make this, my heart flies back to Lake Como. Below is a version but feel free to play with it to suit your palate.
Risotto al Vino Rosso, Rosmarino e Taleggio. Risotto with Vino Rosso, Rosemary and Taleggio.
Ingredients for two smallish serves. Adjust quantities to suit your appetite, bearing in mind that it’s a rich dish and best served with a simple salad before or afterwards.
150 g Carnaroli rice
1/2 red onion, very finely chopped
150 ml good quality red wine ( the one you’ve opened for dinner is best)
350 – 400 ml vegetable stock ( it’s always better to have extra on hand)
20 gr butter
40 gr or more of Taleggio ( substitute Stracchino if on a budget)
40 gr grated Parmigiano Reggiano or Grana Padano or more to taste
a teaspoon of very finely chopped fresh rosemary
salt and white pepper to season
In a small saucepan, warm the vegetable stock and keep it on a low heat. In a separate cast iron casserole, choosing a suitable size for the measure of rice you are using, add the butter and saute the onion gently until soft and pale golden. Add the rice and toast for a minute or two. Then add the red wine and heat, stirring, until it is fully absorbed. From this point, begin to add a ladle of hot stock to the rice and stir through on low to medium heat. Don’t stir too vigorously: an occasional stir is enough. Once that stock is fully absorbed, continue to add more ladles, one at a time, for around 20 – 25 minutes, as per the usual method of risotto making. The only way to judge the readiness of the rice is by biting it. If the centre is still hard, continue cooking. Once ready, turn off the heat, and add the rosemary and Parmigiano and half the Taleggio chopped into smallish chinks. Stir through then cover with a lid and leave to steam for a few minutes. When ready to serve, add the remaining Taleggio to the dish.
On cold winter mornings, routines are simple and meditative. Kindling, or morning wood, is gathered to start the wood stove. Small twigs are arranged like a Lilliputian teepee, while dry leaves and balls of crunched newspaper are tucked into the gaps. The moment of truth- a match is struck and the fire roars. An old whistling kettle waits on top of the stove, hot water for that second cup of tea. If the morning is frosty and old Jack has painted the paddocks white, I often recall my father’s early morning footprints crunched into the grass of our suburban backyard, a memory so old and yet so fresh. Long before breakfast, when we were still tucked up in bed, Dad would take a bucket of left over kitchen scraps, mixed with pollard and hot water, down to the chookhouse at the rear of the yard, always singing the same song, ‘Oh what a beautiful morning.‘ His optimism enabled him to travel through life with grace. Somehow this pastoral Rogers and Hammerstein song, frost and chooks, will always be connected in my mind. As we all tend to begin our day in the kitchen, it is a fitting place to practice optimism. Turn off the news.
On fortuitous mornings, left over cooked vegetables await on the bench, ready to be mixed with an egg to make an old-fashioned breakfast of Bubble and Squeak, although there’s rarely much squeak (cabbage) in my kitchen. Or perhaps a slow cooked pot of oat porridge, always with a pinch of salt, I hear my ancestors say, soul food that sticks to the ribs for longer. The stock pot goes onto the wood stove, while some Barley or Farro is soaked. Sourdough Bread, having undergone a secondary overnight ferment in the fridge, is ready to bake. And so another winter’s day begins. While it’s not my favourite season, winter does offer some compensation- soup, wood fires, comfort food, along with the chance to don berets and scarves.
There’s often a good winter risotto in my kitchen. I nearly swore off risotto for life after my time in Lombardy last year where I ate risotto every second day- risotto con zucca, risotto milanese, risotto con funghi porcini, and this one below, the star of them all, risotto con vino rosso, rosemarino e taleggio. ( risotto with red wine, rosemary and taleggio). It doesn’t matter how many photos I take of risotto, summer or winter, it always looks totally unappealing, a bit like a dog’s dinner. And yet these photos belie the reality.
Winter is also the time for pasties and it’s always good to have a stash in the freezer for an easy lunch. I used commercial puff pastry for this lot. These were filled with cooked Puy lentils flavoured with sautéed onion, Worcestershire sauce and herbs, then mixed with mashed roasted pumpkin and peas. The plum sauce is from last summer.
Of course there’s always soup in my winter kitchen. Since being too busy is my new normal, I make soup often- some to take to my mother, some for our hungry renovating builders, some for the visiting kids, and sometimes I get some too. This one, Ginger and Carrot soup, is a cure for head colds and sore throats. Served with a sprinkle of chilli and yoghurt, it’s a real pick me up.
I’ve been experimenting with sourdough recipes lately and have been amazed at how different sourdough starters behave. The bread above was based on a recipe by Maurizio from the Perfect Loaf. The fermentation is so rapid: the wholemeal levain is a wild beast of a thing. Sourdough bread making is not just about the recipe- each day in the kitchen, the weather, the heating or lack of it, the temperature of the water, the humidity, and the patience of the artisan, create a unique environment and these wild yeasts love to dance to their own rhythm.
I’m waiting for this loaf to cool so I can indulge in my other favourite winter breakfast- toast with marmalade. My mother’s grapefruit tree is heavily laden and many, I fear, will go to waste. I made one batch, or 8 jars, of grapefruit marmalade, but how much marmalade can you eat in one year?
There are always lots of books in my kitchen-dining area; with the cold weather, they are beginning to proliferate on small tables. The blue journal on the right now lives permanently near the kitchen bench. New breads that pass the taste and method test get added to this journal. There’s something special about handwriting a recipe. It becomes a part of my personal repertoire, and is ingrained in my memory, standing distinctly apart from the tsunami of recipes that come my way, either from books or the internet. Notes get added with each bake: ingredients are adjusted. I have another handwritten book dedicated to cakes and biscuits. The book on the left, Community, offers some intriguing salads, which will be more useful in Spring and Summer.
I never thought I would become an apron wearer but then, I never thought I would need to look for my glasses all day, or carry around an oven timer. I bought this colourful apron in Chiang Mai, Thailand a few years ago: it is short and bohemian, a bit like me really. If I wear it, I’ll have a more organised day.
Once again, I’m linking this post to the monthly series, In My Kitchen, now hosted by Sherry at Sherry’s Pickings. Thanks Sherry, it’s forced me to look for my writing mojo, which has been in hiding for a while.
According to market research, many people prefer recipes that take 27 minutes or less to make.¹ I think my patience level runs very close to this figure. A comforting risotto just fits it into this time frame, so long as you prep most of the ingredients as you go, which to me makes sense; it gives you something else to do while you are stuck beside that pan for 20 minutes or more, stirring, watching, and knocking back the wine you opened to make it.
Risotto is my favourite winter food, especially when the garden provides winter loving treasure such as Cavolo Nero, the dark green Tuscan king of kale, and ruby coloured radicchio, a bitter leafed vegetable that adds colour and crunch to winter meals. As the morning temperatures drop below zero and the ground turns crunchy with white frost, these two plants come into their own. They love a cold snap.
The other ingredients are fridge and pantry staples. Butter, olive oil, onion, good Italian rice and Parmigiano Grano Padano. Which rice is best for this task? I generally find that the cheaper brands of arborio produce a less appetising result. Although I do enjoy frugality, some cheaper ingredients make for false economy. One kilo of good quality Carnaroli or Vialone Nano rice goes a long way.
Risotto Invernale con Radicchio. Winter Radicchio Risotto. A step by step recipe. Ingredients for two large serves.
1 cup good quality risotto rice ( Carnaroli or Vialone Nano)
1 tablespoon EV olive oil
1 tablespoon butter
1/2 small red onion, very finely chopped
1/2 small carrot, very finely chopped( optional)
vegetable stock, homemade or made with a stock cube, around 3 cups or more
dry white wine such as Pinot Grigio
a small head of radicchio, finely sliced
grated parmesan cheese, Reggiano or Grano Padano
more butter, a good knob
Chop half an onion into tiny dice and add it to a wide pan with a generous slurp of olive oil and butter. Although a diced carrot isn’t generally added to the base of a risotto, a little carrot adds some sweet notes, since radicchio can be quite bitter. As the onion gently cooks, bring a pot of vegetable stock to the boil and let it simmer next to your risotto pan. I like to have more stock than most recipes suggest, just in case it’s needed. This can be either home-made or made from a stock cube. Open the white wine. Measure the rice. Cut a small head of radicchio into fine strips. Find a small butt of Parmesan cheese and ask someone to finely grate it.
Add the rice. One cup of rice makes a generous meal for two people. Adjust the recipe for more people. Stir the rice to coat the grains- the rice will turn opaque – then add a big slurp of white wine, ( at least a quarter of a cup, though I never measure it) and stir well. At this point, you are allowed to begin drinking, to fortify you for the task ahead.
Once the wine has evaporated, begin adding the hot stock, one ladle full at a time. There’s no need to stir too vigorously or continually. The heat should be on medium to high, though I generally adjust this up and down as I go. When the stock evaporates, add another ladle, and continue this activity for around 20 minutes or so.
Add the radicchio and the last ladle of stock and stir vigorously for around 5 minutes. The leaves will soften and the dish will become more creamy. Add a grinding of pepper.
The final and most important step. Add a good amount of parmesan and butter, la mantecatura, thencover and turn off the heat. Let it sit for 2 minutes.
Take off the lid and stir through the butter and cheese vigorously. The dish will become creamy and smooth. Shake the pan backwards and forwards to observe a wave movement ( all’onda) in the mixture. If you think that the risotto is a little dry, add a small amount of hot stock and stir through well. You are aiming for a soft, creamy and well united dish that has a little wetness.
In My Kitchen there is lunch. Unless I am out and about, I prefer to eat well at lunch time, followed by something light for dinner. This month’s post looks at some of my lunches over the last few weeks. Simple food, good bread, made from the best ingredients- what more could I ever want?
The garden and chooks provide most of my ingredients, though as the season turns, the garden pickings are becoming slim.
Whenever a pasta dish calls for pancetta, speck or lard, I use anchovies as my pescatarian substitute which provides the salty flavour base.
There are still a few cherry tomatoes hiding in the garden along with wild rocket. They land on a simple foccaccia, along with potatoes and garlic.
My de-constructed eggplant parmigiana is a quick lunch. The new season’s eggplants don’t need salting or de-gorging. Stir fry them quickly in ample olive oil, toss them in left over tomato passata, add basil and lots of cheese, maybe some cooked ditalini pasta to bulk it out, then into the oven it goes for 10 minutes.
I once owned an Elizabeth David book entitled, An Omelette and a Glass of Wine. Memories of this book inspire our once a week lunch special- with scattered parmesan cheese and herbs through the rolled omelette. Add salad, bread and a glass of wine!
We now have self-sown leeks everywhere and can rely on them in any season. My favourite way to use them is in a risotto, using home-made veggie stock. They are also great cooked with potatoes then mashed with butter. A vichyssoise without the liquid.
Roll out sour dough, topped with chosen ingredients
roll and cut into scrolls.
Inspired by Celia, I now make little rolls to eat or freeze. Take one portion of risen sourdough, spread out, add toppings- here we have olives, rosemary, a little oil- roll up, then slice into 12 scrolls, and let rise again and bake.
Our chilli always arrives late in the season and keeps producing well until late winter. Most will be dried. Chilli recipes are most welcome.
Thanks Maureen at The Orgasmic Chef for hosting In My Kitchen. Press that link to see what’s happening in other kitchens around the globe.
Over lunch yesterday, I came across a new Italian expression, Risotto All’Onda. At the time, I was serving a classic Marcella Hazan rice soup, or rather a minestra which, to be truthful, was more like a wet risotto. A soup or a wet risotto, I commented, knowing that this distinction is not particularly relevant to those from the Veneto region in Italy. Alberto, a visitor from Lombardy in Italy, then related the story of his prozia, or great-aunt, who uses her brodo (stock) rather liberally when making risotto, earning the comment ‘all’onda!!!’ in a disparaging way from her husband, who had a preference for a drier risotto. Drier risotto is the preferred style in Lombardy, Piedmont and Emilia-Romagna. It has a stickier texture and can be plated rather than served in a bowl. Alberto’s family continues to describe a wet risotto in this way, to recall their late prozio’s reaction to wet risotto, risotto’all’onda!!
As it turns out, risotto all’ onda is a common enough term for Venetian style risotto, ‘all’onda‘ meaning that the finished product should ripple like the ocean current, yet maintain its classically creamy consistency. It should be liquid enough to make it pourable. Carnaroli or Vialone Nano rice are the preferred varieties for a wet style risotto: also using smaller pan when cooking helps to maintain the moisture.
The following recipe is an adaptation of Marcella Hazan’s Minestra di Sedano e Riso or rice and celery soup, from the Classic Italian Cookbook, 1980. I have replaced the celery with zucchini, given the continuing summer glut. The method of this soup is rather interesting, with half the zucchini pureed, adding a lovelygreen cremoso texture to this minestra/soup/risotto.
Minestra di Zucchini e Riso- Zucchini and Rice Soup.
2-3 small zucchini, diced
6 tablespoons EV Olive Oil
half small onion, finely chopped
25 g butter
200g rice, preferably Carnaroli or Vialone Nano
500 ml of stock or one stock cube dissolved in the same quantity of water
3 Tablespoons freshly grated Parmesan cheese
2 tablespoons finely chopped parsley.
Wash the zucchini, finely dice,. Put the zucchini, olive oil and salt in a heavy base saucepan and add enough water to cover. Bring to a steady simmer, cover, and cook until the zucchini is tender. Turn off the heat.
Put the chopped onion in a heavy based saucepan with the butter and saute over medium heat until pale gold but not browned.
Add half the zucchini to the saucepan with the onion, using a slotted spoon. Saute for two or three minutes, stirring, the add the rice and stir it until well coated. Add all the broth.
Puree the rest of the zucchini, including all its cooking liquid, with a stick blender. Add this puree to the saucepan containing the rice.
Bring to a steady simmer, cover, and cook until the rice is tender but firm to the bite, around 15- 20 minutes. Watch and check that it doesn’t catch as some rice absorbs stock too quickly- you may need to add a little more to make it ‘all’onda’.
Stir in the grated cheese, turn off the heat, add the parsley and mix. Serve at once! This dish should be eaten immediately before it turns too soft. Make it only just before you are ready to eat!
I’m with Great Aunt Carla when it comes to risotto- I love it ‘all’onda’, nice and wet, rippling with little currents from the sea of broth.
Broad beans ( Fave) are often associated with poverty and simple, peasant eating. They grow prolifically and produce a bounty of fresh beans, with plenty to stash in the freezer or dry. The Italians who migrated to Australia in the 1950s and 60s, with “Courage in their Cases,” also had a few dried fave beans sown into the lining, a memento of home and a good luck seed. When married with quality risotto rice such as Vialone Nano or Carnaroli rice, as well as a small slab of hot smoked salmon or trout, the humble broad bean enters the realms of rich man’s food, la cucina borghese. You decide: keep it cheap and leave out the hot smoked fish and use a cheaper everyday arborio rice, or lash out!
Ingredients ( two as a main, 4 as a small entrée)
1 cup shelled broad beans/fave
1 small onion, finely chopped
1 cup vialone nano rice ( or other arborio)
30 gr butter
1 Tbles EV olive oil
1/2 cup white wine
3 cups vegetable stock, simmering on the stove
75 gr hot smoked salmon or trout, torn in small pieces
fresh herbs, such as marjoram, oregano or dill
Grana Padano or Reggiano Parmigiano, grated, a generous amount.
Firstly, boil the shelled broad beans for 3 minutes, drain, then peel by simply squeezing the outer shell, and sliding out the tender, bright green inner bean. Even better, get some little person to help.
Heat 20 gr of butter and the olive oil in a heavy base pot, add the chopped onion and cook on low until the onion has softened and is golden in colour. Add the rice and stir about until the rice becomes covered and opaque. Turn up the heat to medium. Add the wine, and stir until it bubbles away. Then add a ladle full of stock, stirring as you go, until the liquid has been absorbed. Continue in this way until all the stock has been used, around 20 minutes or so. In the last few minutes of this process, just as you add your last stock, add the beans and stir through.
Gently stir through the salmon and the chopped herbs, then fare il mantecare. This is an essential step to add creaminess and finish to the risotto. Add the remaining knob of butter and a generous amount of grated parmesan ( 1/2 cup) to the rice, stir through to ‘cream’ the rice, then cover the pot, off the heat, and leave for a couple of minutes.Serve on a large round or oval platter, with more parmesan, and serve from the outside, in a circular fashion, which maintains the heat in the centre.