In My Kitchen September 2020

The season has been fruitful, especially with an abundant supply of all kinds of citrus, though this colourful presence is slowly coming to an end, with Blood and Valencia oranges the last varieties to pick. In Spring, the trees will return to flower and leaf production for next year. We have around 14 citrus trees but there’s always room for more. Most were planted around 10 years ago, with productivity hampered  by drought, wind, rabbit infestation and severe frost. They’ve now reached a stage of maturity where they can withstand most conditions.

There are two citrus trees producing oddities. These knobbly, thick skinned fruit grow on thorny wild trees. One wild tree used to be a grafted Kaffir lime tree. After dying in the recent drought, it re-sprouted, reverting back to old root stock below the graft. Although incredibly bitter to taste, the fruits are exotic, brightly coloured and decorative. They remind me of the Renaissance fascination with formal citrus gardens and the collecting of rare and unusual specimens. The paintings by Bartolomeo Bimbi and Giovanna Garzani, reveal this fascination for depicting bumpy, disfigured lemons and other rare agrumi. 

On that subject, The Land Where Lemons Grow, by Helena Attlee, documents the history of the Italian fascination with citrus and is a great read. Thank you Beck, at In Search of the Golden Pudding, for recommending this. In terms of food writing, it’s up there with Delizia! An Epic History of Italians and their Food, by John Dickie and Honey from a Weed, by Patience Gray.

Seville Marmalade Orange Cake

In My Kitchen there’s always cake: the peasants have no fear of starving. I make a cake weekly: in this cool weather, it keeps well under a glass dome sitting on the kitchen dresser. I often halve them and send some away to other cake loving peasants. Most double as pudding: a couple of slices gently warmed in the remaining heat of an oven, served with something wet ( cream, icecream, custard) have kept us sane during winter and the lockdown. I’ve now made two versions of the Seville orange marmalade cake, pictured above. The recipe can be found here. The second version pictured below is a classic Middle Eastern orange and almond cake, glazed in marmalade. I think I prefer the first version. Excess marmalade can be used as a glaze in many ways. Maybe a chocolate cake could turn Jaffa-esque when topped with an orange marmalade glaze? Or a little Seville marmalade stirred through a rice pudding? Served with Halloumi? Liquified then added to a G&T?

Middle eastern Orange cake glazed with Seville orange marmalade

The little pasta dish below looks quite plain, belying the richness and intense lemon/orange flavoured sauce hiding within its folds. The sauce includes fine slivers of peel from an orange and lemon, which are boiled to soften, and the juice, a little onion, a knob of butter, cream and seasoning.

Tagliolini alle Scorzette di Arancia e Limone, recipe included in the book mentioned above.

The egg noodles from Mantovanelle come very close to those made by hand at home. These tagliatelline are my favourite comfort food. Cooked in five minutes, this gives you just enough time to quickly construct a sauce. Once the pasta hits the boiling water, my large non- stick wok is fired up and ready to go. In goes the EV olive oil, a little garlic, followed by fresh things from the garden, small stems of broccoli, young leaves of kale, some herbs, a few tiny unshelled broad beans, a dash of wine, perhaps some smoked salmon chunks, a few dashes of cream, seasoning and finally the cooked noodles. It’s a merry little dance around 2 stove jets. When the long lockdown ends in Melbourne, I look forward to returning to my favourite food shops which are further than 5 kilometres from my home. Since early July, strict travel distance rules have regulated movement in Melbourne. This pasta will be at the top of my shopping list.

I love this egg pasta and cannot wait to be allowed to drive further afield to buy more supplies.
Tagliatellini con salmone affumicato e verdure

The winter garden has kept us in fresh greens and now that spring is here, broad beans are slowly appearing.

Garden pickings for a pasta lunch.

Another day, another pasta. Rigatoni paired with a vegetarian ragù. The sauce included some mushrooms, dried porcini, herbs, left over thick lentil soup, a little miso, and tomato passata.

rigatoni con ragu’ di lenticchie

In these times, I often find myself looking back rather than forward. I cannot think of anything at present to look forward to- no short drives in the country, a family gathering, dinner with friends, travels overseas, visits to the city, a Vietnamese meal, a trip to the library- it’s a life without anticipation. Often, our next meal is the highlight of the day. The arrival of a book in the post, or a food order from Mt Zero Olives, is an added bonus. In this era of hard lockdown, the future has become blurred. Last night, as we were eating dinner, a spaghetti cacio e pepe, the conversation inevitably led to Rome. Where did we eat that last Roman cacio e pepe, where would we stay next time, an apartment in Trastevere again ( too busy) or over in Testaccio ( interesting suburb) or in centro? Through reminiscing, we came to the realisation that we would not be returning to Italy, or indeed Europe, and perhaps not to our favourite haunts in Asia. This is not meant to be a maudlin observation: I am a pragmatist at heart. Looking back over some of my old posts has given me a chance to relive some of those travels: like writing a detailed journal, blogging is a worthwhile pursuit in this sense. Unlike Facebook or Instagram posting, blogging provides a permanent and accessible log into the past. In the same way, participating in the monthly In My Kitchen for the last 7 years has produced another kind of documentation. Over the years my kitchen posts have gravitated towards seasonal food and simple dishes. My previous September posts expose another story: I’m usually away. Thanks Sherry of Sherry’s Pickings for continuing this series: it has been an interesting journey.

Vigevano and the Renaissance

In a country brimming with Renaissance architecture, it would be hard to choose which town might be considered the most beautiful, the most ideal Renaissance city. Maybe we could just settle for a short list? What is the framework for making such a claim? Do we choose on the basis of architecture, famous art, sculpture, painting, churches, piazze, harmonious urban landscape, civic pride or all of the above? Tourists in search of the Italian Renaissance in situ might put Florence near the top of the list, given that city’s fame. I personally find Florence dark, uninviting and not so harmonious when it comes to all things Rinascimento. Florence is crowded and many tourists are happy to see the fake David and Donatello, wander over the Ponte Vecchio, traipse through the Uffizzi for hours, catch a Masaccio or Giotto in one of the smaller churches, get in the queue to wander through Duomo, swoon if your name is Stendhal,¹slurp a gelato in Piazza della Signoria, wolf down an overpriced panino or pasta, then claim to have ‘done’ Florence.

The perfect piazza alla Bramante.

The Humanist writers of the 14th and 15th centuries were part of the great advertising think tank of the Florentine Renaissance. This hype culminated in the writing of Giorgio Vasari, evident in his Le Vite de’ Più Eccellenti Pittori, Scultori, ed Architettori.  (Lives of the Most Eminent Painters, sculptors and Architects). Published in 1550, ‘Lives‘ was the first art history written, presenting a distinct Florentine bias. I often get the feeling that Vasari’s prejudice is alive and well, nearly 500 years later. Florence has a great deal to offer in terms of understanding many aspects of the Renaissance, but other less famous cities do so equally and are more pleasant to visit.

Piazza Ducale, Vigevano

Up until recently, the city of Urbino in the Marche region sat at the top of my “Best Renaissance city” list. Under the rule of Federico da Montefeltro, Duke of Urbino from 1444 to 1482, the town of Urbino flourished. Federico da Montefeltro was a successful condottiere, a gifted diplomat and an enthusiastic patron of art and literature. Ruling for four decades, he set out to reorganise the state, making the city of Urbino ‘comfortable, efficient and beautiful’. Castiglione’s Il Cortegiano, the Book of the Courtier, published in 1528, which outlined the standards for the modern European gentleman, was founded on Federico’s court. It was the Renaissance place to be in terms of language and letters.

The famous portrait by Piero della Francesca, Dyptich of the Dukes of Urbino, Federico da Montefeltro and Battista Sforza, 1465-1472 circa. And what an amazing match of the two most important Renaissance families of that era.
Piazza Ducale Vigevano

Vigevano is a small town in Lombardy that could also claim the same title of Città Ideale of the Renaissance. The central part of the town, the Piazza Ducale, leads the eye in every direction- along the arched colonnades, through the inviting side streets, upwards towards the apartments overlooking the piazza, and then back down towards the Cathedral and further along into the grand Castello Sforzesco.

Vigevano is located around 35 kms from Milano in the Lomellina district of Lombardy. I was seduced by the graceful Piazza Ducale. Designed by Bramante, this is one of Italy’s most beautiful piazzas. The building was instigated by Duke Ludovico Sforza (il Moro) and work began in 1492. It was intended to serve as a stately forecourt to the castle and did so for some time. It is shaped in an elongated rectangle measuring 134 metres by 48 metres and is enclosed with arched porticos supported by 84 columns. The porticos have carved capitals, each one carved differently.

Castello Sforzesco

The castle, which rises up at the town’s highest point, dates back to the twelfth and thirteenth centuries. The castle was built in two consecutive stages, one under the Visconti and the other under the Sforza. The Visconti era is marked by  paranoia in design, as seen in the strada coperta, a secret exit from the castle. The latter architectural additions under the Sforza are marked with grace and openness. The artistic contribution of Donato Bramante cannot be understated-  his arches seem to balance lightly on stiletto shoes. So light, so graceful. During this period, the castle became one of Europe’s richest Renaissance courts, not unlike that of Urbino. Both leaders, Montefeltro and Lodovica Sforza were allies and skillful diplomats.

Stables, Castello Sforzesco
Falconiera, Castello Sforzesco

There is much to see and experience in Vigevano. A castle covering more than 2 hectares, a fine cathedral, a museum dedicated to the history of shoes ( Vigevano is the shoe making centre of Italy) and much more. But my main reason for wanting to return is simple. It’s that beautiful piazza that takes the prize: it is the centre stage of Vigevano. Theatrical, seductive and yet restrained, it invites you to take a stroll, to cross over, or to take shelter under Bramante’s arches in inclement weather, to whisper, to meet up with your lover, to be incognito or conversely to parade and strut about in your new shoes. Like all the best Italian piazze, Vigevano’s Piazza Ducale gives meaning and depth to that little Italian word, Centro.

La strada coperto, Visconti paranoia in Castello sforzesco

¹ I also suffer from Stendhalismo  when visiting Duomo in Firenze.