Fabric speaks to me. I collect it, stash it, feel it. Antique European linens, worn Irish cloth, functional and timeless, faded Ikat from Java, Sumatra and Flores, woven wall hangings from Myanmar, mid-century Japanese Kimono sprinkled with shibori, or little fabric offcuts featuring sacred cranes, plush velvet Italian betrothal bedspreads, alive with colour and kitsch cherubin, or hand worked pillow cases and curtains from the antique market in Arezzo in Italy, embroidered table cloths, ancient filet crochet edging with worked in stories, words or historical events, crocheted jug covers featuring Dolly-Varden shells and beaded weights, Indian silk saris and long dupatta scarves, visiting every floor of a Sari shop in India: fabric hunting is a central part of my journey. It is often the history of women’s work, or a window into a culture, or one that is about to become obsolete, that appeals so much.
Hand dyed indigo fabric is a recent addition to my textile addiction. I discovered some wonderful indigo fabrics at the Chatuchak ( Cha-Cha) Market in Bangkok in 2013. The following year, I toured an indigo factory in Dali, on the banks of Erhai Lake, Yunnan, China. And this year, I found another small producer of hand died indigo clothing on the banks of the Mekong River, in Chiang Khan, Thailand, as well as some lovely long lengths of deep indigo died linen in the back streets of the Warorot market, in Chiang Mai.
My next step is to learn this ancient art and dye my own cloth. I envisage drifts of indigo muslin, irregular in colour, floating in the summer breeze.Thanks Ailsa for this week’s travel theme, Fabric, at Where’s My Backpack. If I dug out all the representatives of my fabric collection, this post might fill a book.