Autumn is many seasons rolled into one. Gone now are the Keatsian days of early Autumn, that abundant time when the garden finally comes good with the fully blown fruits of an earlier season’s hard work. Then my mornings were filled with preserving: now I sweep and rake fallen leaves and gather ‘morning wood’, dry sticks and kindling to store for lighting fires. I often think of Lao Tzu when sweeping. An old black and white ink print on rice paper rises again to haunt me, flashbacks of Nepal, Swayambhunath and Francis, friend and Nepalese expat who helped revive the lost art of Tibetan ink printing during the 70s. Daoist, peaceful, impressionistic, the memory of this print and the act of sweeping helps clear the brain.
Autumn’s cold snap, a preparation for things to come, is followed by days of sunshine and warm weeks, a glorious Indian summer, confusing some plants and encouraging others to linger. Chillies have re-flowered, fruit tree buds are swelling: all in vain I’m afraid.
Just as I begin to indulge in the melancholy that comes with late Autumn, along come the Borlotti beans in their splendid pink scribbled coats and plump promise. I’ve been watching them and feeling them for weeks. One of their alternate names in Italian is Fagioli Scritti, a more vivid and appropriate title for this colourful and useful bean. I grow the tall variety and usually plant them late in the season. They are adapting to our microclimate as the same seeds are picked late and saved from year to year.
The cheery colour of pink tinged lettuce is also a mood changer. All the lettuces are better in the cold: cos and romaine, curly endive, bitter escarole, the butterheads and the soft oakleaf varieties, rugola, each one delicious on its own but more so when mixed. Large pink radishes and the ‘heart of darkness’ radicchio are now in their prime. Beautiful colours painted by cold.
This version of Autumn Leaves seems to suit this season. It makes sense of nostalgia, missing and parting more than the crooning versions of the 50s, although the original French version, Les Feuilles Mortes, written in 1945, is also rather charming.