It’s impossible to write about my kitchen without reference to my productive vegetable garden and orchard- the two are so closely entwined. If you’ve been following my blog for a while, which is now over 6 years old, you may have noticed that my kitchen and cooking posts tend to focus on fresh produce. This is the essence of what food is about for me, the excitement and challenge of cooking radiating from the daily pick. As this season has been bountiful, my urge to work in the garden has strengthened. While others of my age often consider downsizing, I’m considering expanding the garden beds. Vegetable gardening is not only for food: it’s my yoga and gym, my meditation space and fantasy land.
One of the more exciting plant discoveries this year has been the Turkish snake chilli, a prolific bearer, and a kinky pepper to pick ( an old alliteration riddle comes to mind). A long and thin lime green pepper, it has a tendency to curl back on itself, looking a lot like whirling dervish, or a green man in a turban. One in 10 peppers will be hot, making them an interesting substitute for Pimento de Padron, the Russian roulette of peppers, when cooked in the same way. Unlike the Padron peppers, which are tricky to germinate and slow to mature in my climate, the Turkish snake peppers grow well here and fruit early in the season.
The only unusual product I’ve bought recently, and one that is worth sharing, is this delightful stone ground flour from Tuerong farm, which featured recently on Gardening Australia. The farm is located in the Mornington Peninsula hinterland and is dedicated to growing small crops of heritage French and Australian wheat varieties. You can view the episode here. The flour is available at Tuerong farm, or at Hawke’s farm in Boneo, or online, though it’s not always available. The khorasan makes a beautiful loaf.
I like soup at any time of the year, and each season brings new flavours to the table. When fresh local corn becomes available, I love to make this chowder. We call it ‘cholesterol corn soup’, given its butter, cream and cheese content, perfect for the first seasonal chill. The recipe comes from an old edition of TheVegetarian Epicure, by Anna Thomas, 1972, back in the day when the ‘C ‘word wasn’t such a worry. I’ve never fiddled with the original, so soothing and comforting is this dish.
Another recent chowder occurred when I discovered some big, fat tiger prawns in my freezer- remnants of the festive season. This one was a splurge, requiring a small smoked haddock as well.
This season, I have developed a passion for photography, and tend to photograph the daily pick in the same little spot in my living room, where the light is moody and a little dark. Most of these photos land on my Instagram page, @morgan.francesca each day, and may account for my overall slackness in writing. As I pay a princely sum for this WordPress page, it’s time I got back to writing more frequently, though I can see why many take the easier, often wordless, option of Instagram. Time to return to the word image.
A monthly link up event, focusing on kitchen happenings, takes place via Sherry’s Pickings. The theme can be interpreted loosely. Through this monthly blogging event, I’ve met some wonderful kindred spirits.
The Sanur festival is one of the highlights of the annual secular calendar in Bali. Now in its 14th year, this year’s festival was held over 5 days, from August 21 to August 25, and included a huge programme of cultural, environmental and sporting events, including a jukung race, windsurfing and surfing competitions, fishing competition, an early morning beach clean up, a turtle release, photography exhibition as well as food and music events lasting well into the night. This is very much a local festival, and not targeted towards the tourist, like many draw card events held in Ubud. Having said this, some foreigners do attend and are encouraged to join in, especially in events such as the clean up programme, the fishing comp and other international sporting events. For me, the highlight of the Festival was the cultural parade on the last day. This took place in a nearby street: various teams from the district banjar had been rehearsing their band and barong dances for months ahead.
Most of these portraits were taken as the young men eagerly awaited their turn to perform in front of the judges. Some rehearsed their percussion, others were nervous, or eager to get going. The street show lasted for two hours- bad luck for the bank up of traffic, diverted through the narrow lanes near the traditional market. Once each new group moved into position to begin their performance, the intensity was transporting. These young men dressed in black and white outfits definitely stole the show. Pure percussion- loud, electric, erotic, thrilling. Terima kasih banyak.
Five years ago I began making sourdough bread. Little did I realise at the time that this would become an obsession. My days are now organised around the living dough: while bread making doesn’t take much time overall, you need to be monitoring its activity. I now dress for bread: an apron keeps my clothes in order while a little timer keeps me on track, the tick ticking in my pocket reminding me to stay vigilant. I wake eagerly, often rising before first light, not out of any obligation to tend to the bread but simply my own anticipation and excitement: at 5 am I can’t wait. I am attracted to the discipline of the craft as well as the science and yet I often stuff up. I am a novice: there is still much to learn. When I look back at photos of my bread from 5 years ago, I smile. They’re like my bread children- simple, perhaps a little clumsy, but also unpretentious and homey. They tasted fine despite their awkward appearance. My sourdough loaves these days look more streetwise, although there are many occasions when my shaping is sloppy, or my scoring goes haywire, or my new experiments don’t pay off. All failure is knowledge. It’s hard to explain that to a perfectionist (or a Maths teacher) but you can only learn from your mistakes. The ugly bread still gets eaten, even if in the form of garlic croutons or crumbed onto a vegetable gratin. The funny ones get named- Glenn Close ( badly slashed), Ugly Baby ( an off center boule ), Bob Menzies ( a loaf with one big ridged eyebrow), Happy Baby ( big open-mouthed grin) and Frisbee- a flatter boule, usually made from a large percentage of rye flour with less than desirable oven spring. Some breads snarl, others emerge with crispy ears, batards become bastards. And many emerge looking fabulously bespoke, dressed up artisan style and ready for a photo. Mistress of Slashing, ( technically scoring, but slashing sounds better here), Maree Tink, impresses me daily with her beautifully scored breads and patches of artistic char. If you’re keen to learn more about sourdough, join her Sourdough BakingAustralia group on Facebook or ask about her monthly workshops.
If I could pin point the most hazardous aspect of sourdough baking, it would be timing. Many fine guides will outline an excellent programme that will take you from cold starter to loaf in a 24- 36 hour time frame. These suggested regimes don’t work for everyone: controlling once’s enthusiasm or chaotic lifestyle is part of the learning curve. The weather plays havoc with timing and so does exhaustion. Once dinner is over, I no longer want to have anything to do with my kitchen. I am tired and the couch calls: it has been a long day and bread making no longer interests me. My dough babies need to be shaped and tucked into bannetons, ready for their rest in the fridge before 6 pm. They can happily stay there for 12 hours or longer. And yet it is a lesson I often forget and one that annoys me intensely when I wake at 3 am, like a wandering half mad Lady Macbeth, cursing the over fermented dough.
There’s a wealth of knowledge out there to tap into. One favourite free resource can be found at The Perfect Loaf. Maurizio’s recipes and techniques always work well for me: his suggested timing is spot on for those who can stay awake till 9 pm. Paul Merry, of Panary, is an Australian/ English baker located in Dorset. A professional baker for 40 years, Paul has always baked with a wood fired oven and has always used organic flour. His baking notes are a good resource. His recent post, Milling with Stones, provides an interesting appraisal of stoneground flour. Paul’s research is impeccable: his bakery and teaching studio is based in a working flour mill, Cann Mill, in Shaftesbury, UK, which gives him daily contact with the milling process and the commercial side of flour production. See my previous blog about Paul’s bread here. There are sourdough internet groups on Facebook and good books to borrow or buy. Tartine Bread by Chad Robertson is a must read.
The other learning curve involves the choice of flour. One of my recent concerns about bread flour supplies in Australia, and I am sure this also applies to flour supplies in most wheat growing countries, is the industry’s dependence on the herbicide, glyphosate. There’s nothing on your flour packet that mentions this and there probably won’t be for some time. At present, there’s no other viable weed inhibitor on the market. Some farmers are worried, while many do not believe there’s a problem. The science is muddied by big business. Perhaps Monsanto/Bayer need a few more nasty court cases before there’s a demonstrable shift in opinion and a less toxic alternative is developed. This article, by Erin Brochovitch, is a good read on the topic. The weedkiller in our food is killing us. The ABC’s investigation on Four Corners, Monsanto Papers, is also worth viewing. In the meantime, some organic and biodynamic flour alternatives can be found at the Preston market, for those bakers who live near the centre or north of Melbourne. For example, Powlett Hill biodynamic stoneground flour comes in a 20 kilo bag for AU$60. This is a huge bag and it might be worth sharing this with a bread making mate. At AU$3 a kilo, this bumps up my loaf costs to around AU$1.50 each plus the cost of oven heating whereas my previous budget buy, Manildra baker’s white flour at 12.5 kilo for AU$15 produced loaves for around 60c per unit. Finding out more about the flour I use is next on my agenda.
The other obsessional aspect of sourdough bread baking is its very tangible link to the past, to the bread makers throughout history, the Medieval and Renaissance bakers, the Scottish, Irish, French and Italian bakers who have passed on their methods, and to the the modern day artisan bakers who happily share the gift of knowledge and their starters. To all those before me who lovingly tended an ancient ferment and crafted loaves from nothing other than flour, water and salt, I share your passion and your pain.
Have you ever noticed the cost of organic garlic? Australian organic garlic retails for around $30 or more a kilo ( €20/US$22). Other non organic garlic is a little less, while in the latter half of the year, the only garlic available commercially comes via Mexico and Argentina, which looks better than the snow-white mesh bags of Chinese bleached ‘garlic’. I would rather go garlic free than eat these nasty lumps of poison. If you love garlic, choose the best. Source seasonal garlic from a farmers’ market. Flavour and economy are two of the main reasons why I grow my own, but I have to admit, I love harvesting garlic and watching the early colours change from deep crimson and purple to pale white striped mauve after they dry. Beautiful bunches of garlic always remind me of French country markets, alchemy, rustic food and good health. Long live garlic.
Growing garlic is time-consuming, which might explain why one head of organic garlic costs around $1.50. I’ll outline the steps here, in laywoman’s terms, for those who may be interested in growing a few. For those without a small patch of earth to dig around in, just enjoy this season’s garlic pics.
When to Plant
I usually start planting out cloves during Autumn, from late April to the end of May and do this in stages, thus staggering the final harvest dates. The old adage which advises that garlic must be planted by the shortest day, winter solstice, works as a rough guide, but I am finding that most of these old guides no longer work for me. If you leave your garlic till June 21st, expect a poor crop or none at all. The temperature of the earth is perfect for garlic in the last month of Autumn, providing just enough warmth to get green shoots going before winter. Given that garlic takes around 6-7 months to mature, it makes more sense to harvest them in late November, rather than during the busy December month. Last year I lost one bed of garlic planted in mid June and I can only put this down to the drop in ground temperature and soggy soil. The little cloves rotted and vanished. Of course the timing of planting will vary from region to region. I live in a cool temperate zone. Tap into local knowledge to find the best time to plant in your own area.
Choose your best looking cloves when planting. Keep some fine specimens from your previous harvest and plant these. If you choose little cloves, you will most likely produce little bulbs. The asexual reproduction of garlic means that what you plant is what you harvest, so choose your cloves wisely. It is said that garlic reproduced in this way will eventually lose its vigour, and that one should revert to seed at some point, a process that takes years. I am yet to notice any loss of vigour in the plants at our current farm. Your soil needs to be fertile and friable. Hard clay isn’t suitable as the little bulbs need to expand easily. Push the flatter end of the cloves into the soil: the top or pointy end should be just below the surface. Plant cloves about 10 cm apart, in rows about 40 cm apart. It’s a good idea to mulch lightly over the soil once the green shoots appear. Organic sugar cane mulch works well. Given that your garlic will be in the ground for at least 6 months, you don’t want them having to compete with weeds for moisture and nutrition. If Winter and early Spring is dry, you’ll need to water the crop. Most of my crop was smaller than average this year. This was due to very low rainfall from late Winter to Spring when we were away and unable to water. Smaller bulbs still taste good but are tedious to peel. These little underground gems need watering just like any other plant. Towards harvest time, hold off watering.
Harvesting occurs when the stalks begin to dry out and seed pods form at the top. I usually dig out a few in early November and start eating the immature specimens, the stalk included. By digging them up occasionally, you’ll be able to gauge their development. If you leave them too long, the cloves begin to separate and open like a flower: while still tasty, these don’t store as well as tightly closed garlic bulbs.
After pulling the garlic, clean the bulbs as soon as possible. I use a damp cloth to remove dirt and baked on mud. It’s important to clean them before bunching and hanging as later cleaning is far more tedious and you don’t want to introduce any dampness to a perfectly dried garlic. Hang the garlic under an airy verandah, well protected from rain and harsh northern sun. They may take a few weeks to thoroughly dry and harden. Well cured garlic will store longer.
After drying, the fun begins. Rub away the outer skins and along the stem to reveal the clove shapes. Most of the dark purple papery skin disappears, revealing soft mauve and white underneath. You might like to plait a few if you have grown soft necked garlic. Most of my garlic stems are too hard to bend into plaits so I make a few nice bunches to display in the kitchen. The rest get cut and stored in a dark spot, usually in a close weaved covered basket, or a container that can breathe, or in a hessian sack inside a terracotta pot.
I’ve featured photos of bulbils in my header photo and throughout the post. Bulbils form when a scape is allowed to mature. The scape is the stalk growing out of a garlic bulb. Although it is sometimes called a ‘garlic flower’ it is not really a flower. Like cloves from a bulb, bulbils propagate garlic vegetatively and the bulbs that grow from them are clones of the parent plant. This year we found a mysterious bed full of excellent garlic that I definitely did not plant. I vaguely recall throwing around a few handfuls of bulbils around two years ago. During summer, they produced stems that looked more like chives. They grew under the shade of a rampant pumpkin vine. These chive like bunches developed, untouched, over two years, and turned into my star garlic for the year.
A few notes.
The medicinal properties of garlic are well-known. A short paper on the history of garlic used medicinally can be found in the link below.
But then the Italian contadini always knew this, as these old proverbs corroborate:
L’aglio è la farmacia dei contadini. Garlic is the peasant farmer’s pharmacy.
L’aglio è la spezieria dei contadini. The same as above. A ‘spezieria’ was a workshop – laboratory in ancient times where medicines were prepared by an apothecary. The monasteries were famous for their spezierie.Bulbils broken into little gem like cloves.
Sunday Greetings from Sanur, Bali. Today’s post is simply about food. No spiritual anecdotes, or canang sari, moody sunrises or colourful Balinese characters. Just a picture post tempting you with some earthly delights eaten under a shady umbrella in a simple warung by the sea.
The best grilled prawns ever. AU$6/ Warung Odah Oning, Pantai Semawang, Sanur, Bali
All photos taken on my Samsung 9+. Impressed with the performance of this phone camera, at least for food shots.
The weekly photographic word prompt by WordPress has been one of the highlights of my blogging week. Released every Wednesday, (Thursday morning for Australians), it has enabled me to sort through my travel photos, forcing me to edit some and discard others along the way. Sadly, this lovely distraction is about to disappear as WordPress has announced that today’s prompt, All-TimeFavourites, will be the last. I wonder why?
If you are an avid photographer, try to imagine choosing your favourite image? Or your favourite 5 images? I am sure many would feature family snaps that capture a happy memory, photos that you’re not inclined to share generally. Others might include beautiful travel photos, memories kept alive by regularly sorting through the digital shoe box.
This little research project could take days, so I’m randomly choosing a few nice pics to share, some that appeal to me, not because they show any photographic skill but simply because I like them. My selection today includes a few portraits, some Chinese themes, a basket of apples and some native flora. I’ll miss this weekly challenge.
I was pleasantly surprised by Lake Como, in particular by the many small and more remote villages that are dotted around the Lake. You could say it was an awakening of sorts. My misconception about the area may have been based on all the hype one reads about villas, palazzi, gardens, tourists, film stars and wedding events. Most tourists head to busy traps such as Bellagio ( happily mispronouncing it every time), Varenna, Menaggio or Como, paying scant attention to the other 15 or so small villages of Lake Como.
A stay in Laglio in late October proved so refreshingly devoid of tourists, I wondered if we had found Italian nirvana. The small village of 600 residents included two tiny alimentari with totally random opening hours, one osteria specialising in local lake fish and a small enoteca which opened after 4 pm. There are more businesses open in the high season. I could happily head back there tomorrow, especially in October, spending a month or so jumping on and off the small ferry that leaves from Carate Urio, a two kilometre walk down the road from Laglio. I am sure that every village would have one local trattoria or osteria open for lunch. The few that I did manage to visit provided me with exquisite food memories.
One week in Laglio was simply not long enough. Below are some colourful images taken on walks around the village. The collage photos can be clicked on and opened separately.
Grazie mille Stuart and Linda for your lovely home in Laglio.
For those who have gone the distance and have continued to camp alongside the great lagoon- like bay of Port Phillip until mid Autumn, the rewards are great. The summer crowds, the sun seekers, bathers and holiday makers have long left: a more mellow mood remains. Some old patterns and rituals continue as the season winds to a close. From 5 o’clock, the beach calls and it’s time for a Shirley. Folding chairs, chilled wine, cameras real and cloned are carted down to the shoreline just in time for the sunset show. The children run or cartwheel across the sand, dressed for an endless summer, too busy to ever get cold, while their elders swaddle in layers against the descending chill.
The sunsets of mid Autumn are incandescent and more evocative than their summer counterparts. No more lipstick sunsets, loud, adolescent and brash. The season brings out subtle colours, as softer tangerine mellows to russet, bronze and antique gold, like the waning of time and life. My mind wanders out to sea as ships come and go, with cargoes of cars and clutter. Melbourne’s shipping lane is busy in the evening. Ghost ships pass, container-less, skeletons of their former selves, story book ships, pirate fortune hunters in search of another raid.
Or human cargo ships pass by, cruise ships full of expectation, lit up like floating apartment blocks, as they ostentatiously glide into the setting sun and head towards their next fleeting appointment with another land.
As a Champagne stopper popped, landing a good distance away in the sand, a song came to mind, piercing my mental meanderings on ships and sunsets. An earworm of the evening, I firmly planted it in the minds and souls of my fellow drinkers. And now dear reader, I’m planting it in yours. Lyrics below seem more pertinent than ever.
Ship of Fools
We’re setting sail to the place on the map
from which no one has ever returned
Drawn by the promise of the joker and the fool
by the light of the crosses that burned.
Drawn by the promise of the women and the lace
and the gold and the cotton and pearls
It’s the place where they keep all the darkness you need.
You sail away from the light of the world on this trip, baby.
You will pay tomorrow
You’re gonna pay tomorrow
You will pay tomorrow
Save me. Save me from tomorrow
I don’t want to sail with this ship of fools. No, no
Oh, save me. Save me from tomorrow
I don’t want to sail with this ship of fools
I want to run and hide ……..right now
Avarice and greed are gonna drive you over the endless sea
They will leave you drifting in the shallows
or drowning in the oceans of history
Traveling the world, you’re in search of no good
but I’m sure you’ll build your Sodom like you knew you would
Using all the good people for your galley slaves
as you’re little boat struggles through the warning waves, but you don’t pay
You will pay tomorrow
You’re gonna pay tomorrow
You’re gonna pay tomorrow
Save me. Save me from tomorrow
I don’t want to sail with this ship of fools
Save me. Save me from tomorrow
I don’t want to sail with this ship of fools
Where’s it comin’ from?
Where’s it goin’ to now?
It’s just a It’s just a ship of fools
I lose all sense of time in the garden, and then I lose myself. It’s a common enough experience among gardeners. After the first flurry of harvesting, tying back overgrown tomatoes and moving hoses about, observing life’s cycle from seed to flower to fruit then back to seed, and all the while conscious of my own aging body as it bends and complains within this bounteous space, another state emerges. My pragmatic self surrenders to a semi- conscious meditation on the essence of being. Through silent awareness and invisibility, the sounds and signals of earth- primordial, spiritual, supreme- reinforce the idea of Anattā, that Buddhist concept of non-being.
It begins with a chive flower waving in the gentle breeze, now taller than the blanketing pumpkin leaves, insisting on more light. The delicate white coriander flowers belie the true pungency of their leaves, roots and seeds. Things are not what they seem. Then a strange bird call punctures the silence. High pitched like a creaking table, the sound is urgent but not bleak. I look up and see a flash of yellow underneath a broad wing span of black. It’s the yellow -tailed black cockatoo, an infrequent visitor to these lightly wooded lands. Now one, now two more, followed by a train of rasping sound, they are on their way to a distant pine tree. Word is out that the nuts are ready to strip. The guard cocky stands alert, signalling from the highest branch, a two-dimensional black stencil, a wayang puppet, an inked picture outlined in the early morning sky.
The bluest of blue of the radicchio flower is a call to the bees. I can never find the word for this blue: constructs such as Cobalt or Persian or Cornflower might have to do. And the little gem of a beetle, friend or foe, travels across a furry field that is an eggplant leaf. The mauve and white bean flowers peep from the darkness of their leafy canopy, an arrangement, a posy, a boutoniere. The beans can wait.