Pantacce pasta is my new favourite shape. I’ve mentioned this shape before in my occasional Pasta of the Week series. Made by Molisana, another company using the bronze die extraction method ( look for the wordstrafilatura al bronzo on the pasta packet), it is a comforting shape and texture ideal for hearty soups, resembling maltagliati but more regular in shape.
The following soup recipe was found in Stefano de Piero’s timeless classic, Modern Italian Food. De Piero’s original recipe, Pasta Butterflies with Lentils, is listed under the pasta chapter and it’s one of those crossover dishes: pasta or soup, the titles in Italian often refer to the main components, and it’s really up to you how you label it. Other examples of this duality include Pasta e Fagioli, Ceci ePasta, Risi e Bisi. De Piero’s recipe includes hand-made pasta butterflies: I have substituted pantacce, a pasta that resembles hand-made pasta when cooked. I have also substituted a rich home made vegetable stock for the chicken stock in the original recipe. Either will do nicely.
Zuppa di Lentiche con Pantacce.
1 tablespoon butter
1 tablespoon EV olive oil
1 carrot, peeled and finely diced
1 small onion, peeled and finely diced
1 stick celery, finely diced
2 medium potatoes, such as Dutch Cream or Nicola, peeled and thinly sliced
200 g Australian Puy style lentils
one small cup of Molisana pantacce pasta, or other flat pasta to suit*
2 litres of good stock
salt and pepper
1 cup Italian tomato passata
freshly grated parmesan, parmigiano padano or reggiano
EV olive oil for serving
Heat the butter and oil in a large heavy based pan and gently sauté the carrot, onion and celery until they soften. Add the potatoes and stir well. Add the lentils and the warm stock and cook for around 25-35 minutes or until the lentils are tender and the potatoes have broken down. Season with salt and pepper.
While the lentils are cooking, cook the pasta pantacce in a separate pot of boiling salted water.
When the lentils and potatoes are soft, add the tomato passata, stir through, then add the cooked pasta. The soup should now be quite rich and thick.
Serve with a good drizzle of EV olive oil and some grated parmigiano, or omit the lovely veil of cheese if you prefer a vegan version.
*If you don’t have Pantacce, tear up a few lasagne sheets into rough shapes, or break up some curly edged strips of Lasagnette or Malafdine.
Modern Italian Food, Stefano de Piero. Hardie Grant Books, 2004.
Stefano de Piero is another energetic Italo- Australiano who has contributed greatly to the food scene in Australia over the last 30 years or more.
There is a calm urgency about my mornings in Bali. I’m keen to arrive at the beach a little before 6 am, drawn by the dawn but also by the anticipation of catching a sighting of Mt Agung on the horizon. When Guning Agung is in hiding, I admit I’m disappointed, and move along with my day a little more quickly.
I head along the beach pathway in the direction of the cake lady’s stall, situated on the brick wall at Pantai Sindhu. You have to be early to buy her freshly made Dadar Gulung. All her special cakes have been snapped up by 7am. She is round and sweet, just like her cakes and greets me with Selamat Datang if I’ve been away for a while. If it’s her day off or if she has ceremony, I wander down the road to the Sindhu market to buy cakes there, along with a hand of bananas or a few mangoes. Indonesian cakes are light and sweet, and incorporate three main ingredients- sticky rice, coconut and coconut palm sugar, and come in an endless array of shapes, colours and textures. They are boiled, steamed, baked or fried, often enclosing a secret ooze of bean or palm syrup and are small enough to wolf down in two bites. I’m very fond of green cakes, a colour extracted from the Pandanus leaf and striped jelly cakes made from agar-agar.
Yesterday’s Pasar Sindhu was alive and more frantic than usual. By 6 am, motorbikes and trucks had filled the small carpark entrance. Something was going on and I had to find out. The rows were crowded with vendors of cakes, ceremonial nic nacs, chicken stalls and flowers: I could sense excitement and frenzy, that buzz that permeates markets before a big festivity, akin to the mad rush in Melbourne markets before Easter or Christmas. I sought out my friend Ketut: she runs a little kitchen ware stall at Pasar Sindhu and is a goldmine of information. Today, she informed me, was Tumpek Wayang.
When Ketut mentioned Wayang, or puppets, I almost ran home to my books and internet, keen to find out more about the day and the ceremonies that would follow. Along the footpath and business doorways of Jalan Danau Tamblingan, I almost tripped over the elabourate displays of Canang Sari. Today’s floral offerings were completely different, much bigger than the usual little baskets, with rectangular bedding of palm leaves and another jagged edged leaf, as well as flowers. Each business had the same leafy arrangement- another mystery to uncode.
Tumpek Wayang, occurring every six months, is a festival when puppeteers perform purification rites to purify their bodies both physically and mentally. It is also a day of the performing arts, when offerings may be made to musical instruments and dance equipment. On this day, puppeteers (Dalang) throughout the island will present offerings to their shadow puppets (wayang kulit) with the intention of honouring the Lord Iswara. The puppets are taken out of their cases to be blessed by their owners and placed as if an actual performance is being held. This ceremony is staged at the different temples, and is called Sapuh Leger. In short, this is the day of puppeters and the puppets themselves.
I have profound memories of the puppeteers and Balinese shadow plays, Wayang Kulit, of old Bali. On our first trip to Bali in 1978, travelling then with two young children, aged 8 and 7, we set out at dusk on a horse and cart into the countryside to see this famous shadow play. The night was dark: no street lighting or electric lighting of any kind lit the streets or houses back then. The village was lit by kerosene lamps. On that occasion, we were the only Westerners in the village. Fortunately we were met by the local schoolteacher. He spoke English and kindly offered us some tea and green cakes – my love of Indonesian cakes began on that day. The Wayang Kulit stage was raised and broad, covered in a long stretched white sheet and back-lit by a flickering lamp. The exotic sounds of the gamelan orchestra tinkled through the night, as hundreds of villagers sat below the stage in the dark and watched in awe. We took our place in the audience as the puppets performed the Ramayana, a show that lasts for 6 hours or more, as we soon found out. At some point we realised that we needed to exit gracefully: carrying our sleepy children, we managed to find a horse and cart to take us back to our palm thatched losmen.
Today’s Tumpek Wayang celebrations were in full swing by mid afternoon. As the amplified voice of the puppet master, exaggerated and theatrical, emanated loudly from the nearby temple, I wondered whether the voice I heard was that of a real working Dalang or a recording: there aren’t so many working Dalangs in Bali these days, ( in 1990 there were around 2-300 Dalangs but only 30 working Dalangs ¹) not because of any demise in tradition, but because the role of Dalang is a demanding one, requiring skill in story telling, improvisation, comedy, linguistic skill, religion, singing, music, orchestra direction, puppet making as well as stamina.
As food stalls began to line the streets, groups slowly gathered, dressed in white and gold, the colours of purity, and walked towards the temple for the ceremony, due to start at 4.30 pm.
Most days go like this in Bali. After 40 years of visiting, I’m still trying to fathom the mysteries and joys of Balinese Hinduism. Sunrise to sunset and the time in between may bring an afternoon ceremony, a seaside cremation, or a purification ritual. Read the signs and keep your senses alert to gongs, bells and gamelan, then ask the locals about the day’s events. If you wish to join in, or visit any temple or ceremony, you’ll need the right outfit- a top with sleeves, a traditional printed cotton sarong and a scarf tied around the waist. While Balinese women tend to wear a lace kabaya, it is acceptable for westerners to wear any other sleeved shirt or T-shirt. Balinese men go for the double sarong on ceremonial days and look extremely dashing. Western men need only learn to tie their sarong in the appropriate way, worn over shorts.
¹ For further reading on Balinese ceremony and culture, see Bali, Sekala &Niskala, Essays onReligion, Ritual and Art. Fred B. Eiseman, Jr. Tuttle Publishing 1990. A remarkable book and a must for lovers of Balinese culture.
As some parts of Bali become more urban, the importance of enclosed green spaces and lush tropical gardens becomes paramount. Finding accommodation within a well established, older garden is one of my priorities when staying here. There are many well tended gardens around Sanur, a beach suburb of Denpasar: some are grand in size, others small but inviting. They are usually found in the grounds of older and more traditional Balinese hotels. Gardens are tended daily: the role of the local gardener is one of utmost importance. They are up at first light, sweeping paths and removing fallen leaves. I rise with them, and gather the fallen frangipani blossom ( Jepun in Balinese) before they are swept up. Each day a new fall brings a different coloured blossom, some deep yellow tinted with maroon and pink, others creamy white, or pure yellow.
Later the gardeners prune and shape fecund vines, removing spent branches from palms, separating some for new plantings, or trimming unruly hedges. They work silently, usually with simple hand tools, clippers, scythes and knives. Tropical growth demands constant attention. I’ve always been keen to copy some of these elements in my garden in Australia, a harsh environment cursed by wind and fierce heat in summer and frost in winter. The key element I would like to emulate is infrastructure. Walls feature often throughout Balinese gardens, along with doorways, small pavilions, pathways, and statues. Plain brick or concrete walls provide protection from the wind, shade and a structure for climbing plants. An ugly wall is soon softened with foreground planting and climbers.
Other elements of a Balinese Garden are worth noting. Small spaces, even in a terraced back yard or balcony, can be turned Balinese through selecting some of the elements that suit your space.
Gates. Decorative gateways are common features. They provide a focal point leading the eye to a feature in the distance. Various styles of gates are used, but the most evocative are intricately carved. They make perfect supports for climbers such as Bougainvillea and other climbers.
Paths. Often different paving materials are combined to create decorative effects. Note that things are not perfectly symmetrical or edged too thoroughly. A little randomness is part of the Balinese appeal. A formal garden is often followed by a very natural and organic corner.
Statues . Statues of people, animals, religious and mythical figures are common in gardens. They are always raised, never placed at ground level. As they age, they they blend in with the surrounding planting and can be appreciated when passing by. Balinese statues are often carved out of stone and can be seen in the thousand in the carving villages along the main road from Denpasar to Ubud. The tropical environment in Bali antiques walls, statues and pots rather quickly. A garden can look established in no time at all.
Water. Ponds and fountains are common in Balinese gardens, a place to grow lotus and other water leafy plants.
Pavilions. Roofed and open sided with a raised floor, a shady pavilion is an inviting spot for an afternoon read or a place to reflect.
Plants. The indigenous plants of Bali have been mixed with introduced species for over 1,000 years. Palms, tropical fruits and large Banyan trees give shade and height while lower growing plants including Ginger and Hibiscus provide colour. Plants are often grown in decorative containers to create features, especially different coloured Bougainvillea which are kept well pruned. The aim is to create height and layers of growth, as well as open grassy areas for contrast.
Roots of ancient tree.
For Peter D, tropical gardener in Far North Queensland, who could name all of these plants, and Helen and Rosalie, who also love a good traditional garden space in Bali. And also for my wall building son, Jack, who might have some time to add some garden infrastructure on his return from Bali. Ohm.
Sunday Greetings from Sanur, Bali. Today’s post is simply about food. No spiritual anecdotes, or canang sari, moody sunrises or colourful Balinese characters. Just a picture post tempting you with some earthly delights eaten under a shady umbrella in a simple warung by the sea.
The best grilled prawns ever. AU$6/ Warung Odah Oning, Pantai Semawang, Sanur, Bali
All photos taken on my Samsung 9+. Impressed with the performance of this phone camera, at least for food shots.
One of my favourite winter pasta dishes is Pizzoccheri della Valtellina. The combination of buckwheat pasta, savoy cabbage or other greens, with fontina cheese and a buttery garlic sauce is so comforting and nourishing on a cold day. I bought some buckwheat flour recently, fully intending to make my own buckwheat tagliatelle but then I heard a little voice whisper, ”Don’t create a rod for your own back.” My home-made version will have to wait. Meanwhile, a timely box of Pizzoccheri turned up in that famous pasta aisle of Melbourne’s Mediterranean wholesaler. Organic, made in Valtellina in Lombardy, and labelled I.G.P ( Indicazione Geografica Protetta), who could resist the real thing.
Recipe for 6 people. Adjust quantities accordingly, but I usually measure around 175g of pasta for 2 people and keep the whole garlic clove.
500 g Pizzoccheri della Valtellina
250 g potatoes peeled and cut into small cubes
200 g Savoy cabbage, silver beet or Cavolo Nero ( I like to mix these for colour and use those that are growing in my garden )
160 g Fontina cheese
160 g grated parmesan
200 g butter
1-2 cloves garlic
Cook the potatoes in a large pot of salted water for 5 minutes. Add the Pizzoccheri pasta and the roughly chopped greens and boil for 12-15 minutes. Meanwhile melt the butter and cook the finely chopped garlic gently. Slice the fontina cheese and grate the parmesan. Heat a large serving plate and your pasta bowls. Once the pasta and vegetables are cooked, strain them and layer into a large serving bowl, along with the cheeses, alternating until the ingredients are used. Pour over the garlic butter and season. Serve.
The cheeses melt once layered through the hot pasta while the garlicky butter adds another tasty layer to the sauce. Simple and sustaining. Fontina cheese is a must in this recipe.
A few years ago, an old friend mentioned that he found my blog very positive. Since that day, I decided to keep it that way. There’s enough negativity in the world without me adding my two bob’s worth concerning the sadness of our times, family illness and the winter of my discontent: in times like these, graceful silence makes more sense. And so I raise my glass to Spring, and though the vestiges of Winter will stay with us for some time, Spring brings hope. The bounce of early morning kangaroos in the front paddock, the alarming yellow of late winter daffodils pushing through the grass and the efflorescence of pear blossom, a snow-white foreground to a cold misty morning, bring glad tidings and a sense of anticipation and transformation.
But now, let’s get back in the kitchen, the place where magic happens every day. This season’s local fresh scallops ( from Tasmania or Lakes Entrance) have made an appearance in the fish markets. The Bass Strait scallop season opens in mid July, and they are at their freshest in August and September, though the season continues through to December. The industry is highly regulated and subject to quotas. Fresh local scallops are my favourite seafood and bring comfort and joy to my kitchen. Not only are they subtle and delicious, but are easy to prepare, quick to cook and a few go a long way.
Some years ago, I collected a huge pile of scallop shells when visiting Lakes Entrance on the east coast of Victoria. We sat by a fishing trawler as an older Greek man shucked thousands of scallops into a large box, destined that day for the Melbourne and Sydney fish markets while the beautiful flawless shells were tossed into plastic bags. I took away a large bag of shells and every season, I freshen them up in readiness for a favourite dish, Coquilles St Jacques, baked scallops on the half shell. The scallop shell is the emblem of St Jacques, St James, Sant’Iago or San Giacomo, (depending on your language) and as such, is the symbol of the camino, and in particular, the town of Santiago di Compostela in Galicia, the final stop of that famous pilgrims’ route. Those who have visited Santiago di Compostela or passed through the various French or Spanish towns along the way, will be familiar with the scallop shell embedded in walkways and roads. Modern pilgrims carry the shell around their necks, on the end of their walking sticks or backpacks as a sign to other pilgrims. But the question remains- why the scallop shell? One answer may lie in the Italian word for scallop- Capesante. It is said that the shell was used by the saint to contain water to be used for blessing or benediction on the heads of his followers. Then again, the scallop shell washes up along the shores of Galicia, burial-place of St James, another simple connection.
Another legend provides further clues,
” Following his execution, James’ headless body was being brought to Galicia in northwest Spain to be laid to rest. As the boat containing his body approached the coast, a knight on horseback was walking the cliffs above the Atlantic. Upon seeing the boat, the horse bolted and plummeted into the sea with the knight. St James is said to have miraculously intervened and saved the knight, still on horseback, who emerged covered in scallop shells.”¹
But then, digging a little deeper, we find that a similar pilgrimage route, ending in Finisterre in Galicia, was used in Roman times by pagans:
“In Roman Hispania, there was a route known as the Janus Path used by pagans as a born-again ritual and ending in Finisterre. Its starting point? The Temple of Venus, Roman goddess of love. Venus is said to have risen from the sea on a scallop shell, as depicted in Botticelli’s painting The Birth of Venus, and is associated with fertility rituals practiced along the route.
Ideas and themes associated with the cult of Janus are echoed by the concept of transformation on the Camino de Santiago. The Roman god Janus, for whom the month January is named, is the god of beginnings and endings, transition and transformation – all ideas shared by pilgrimages and discovered on the Camino today, a constant source of renewal and rediscovery.” ¹
Sant’Iago and these fabulous legends are wonderfully distracting thoughts as I prepare this season’s scallops in my kitchen. To prepare shucked scallops for a recipe, simply tear off the small ligament or tract line on the side. Please keep the roe- an equally delicious part of the scallop and proof that the product is fresh and not from some frozen packet from who knows where. Check that the scallops aren’t overly plump- a sign that they have been soaking in water which makes them less tasty but more costly.
Good things like scallops demand a few lovely condiments. This little Iranian saffron box is one of the jewels residing in my kitchen spice drawer, the ‘dark arts’ drawer as Mr T likes to call it.
On my kitchen bench, right next to the stove, stands a bunch of fresh herbs, a tussy mussy of inspiration, replenished often but saving a cold evening walk to the herb garden. This bunch includes winter favourites- parsley, wild fennel, rosemary, thyme, dill and bay.
I bought these cute graters in Bali last month for the princely sum of AU$1. Hand made of stainless steel, they are as effective as my costly Microplane. There’s one for my old friend/ex student Rachael P, and, as I’m returning to Bali next week, I may buy a few more for gifts.
Next to the kitchen radio sits a container of Lotus tea. The flask is refilled with hot water from the whistling kettle on top of my wood stove. Another simple pleasure concomitant with Winter.
Thanks once again to Sherry, of Sherry’s Pickings, who hosts the monthly event of In My Kitchen. It’s another positive place where the world gathers to showcase simple delights.
It was the sign on the little Warung that first caught my eye. The first item, TipatTahu Kantok, provided only one clue, Tahu (tofu), but the other elements remained a mystery. This was one Balinese dish I hadn’t come across before.
I asked the gentle man standing near the warung about the word Tipat and he pointed out some little palm leaf baskets hanging inside the Warung. Obviously, Tipat was some form of sticky rice steamed in these little baskets: the other elements of the dish were yet to be revealed. The other menu items looked tasty too. Plecing is a tomato chilli sauce and came with aforementioned Tipat, Sayur sounded like a vegetarian dish, Rujak, a spicy fruit salad, and some drinks. What a perfect little menu for a tiny Warung by the sea.
I returned the following day and met the delightful Witti, the cook and owner of this tiny new warung. We tried her tasty version of Tipat Tahu Cantok and began chatting.
Witti has worked at the beach end of Segara Ayu, at the northern end of Sanur, since she was a girl. She regrets that she never went to school: in the 1960s, her parents didn’t consider school important and so she was taught to collect coconuts, make shell jewellery and so on. Of course Witti is literate and speaks three languages fluently as well as a smattering of other languages too. She learnt on the street and is a modern, well spoken Balinese woman, as sharp as a tac, happy and vibrant. Her own three children completed high school and now she proudly talks about her grandchildren and the soaring cost of education these days, a subject that all Indonesians worry about.
She remembers many aspects of life from the past quite vividly. She spoke of the day Mt Agung erupted. She was four years old at the time. That eruption was one of the largest and most devastating eruptions in Indonesia’s history, killing an estimated 1,100 – 1,500 people.
‘On February 18, 1963, local residents heard loud explosions and saw clouds rising from the crater of Mount Agung. On February 24, lava began flowing down the northern slope of the mountain, eventually traveling 7 km in the next 20 days. On March 17, the volcano erupted, sending debris 8 to 10 km into the air and generating massive pyroclastic flows. Cold lahars caused by heavy rainfall after the eruption killed an additional 200. A second eruption on May 16 led to pyroclastic flows that killed another 200 inhabitants. Minor eruptions and flows followed and lasted almost a year.’¹
Witti remembers crowding with others on the beach in the pitch darkness, as Mt Agung, looming on the horizon, spewed lava and fire into the air. She recalls the the rain of ash falling around her for days. As she spoke, I could see the terror of that childhood memory in her eyes.
Another sad memory involved the loss of many of her siblings. She was one of 12 children, but due to poor sanitation and lack of doctors and medicine, five of her siblings died at a young age. Still, she followed this with a smile- imagine having Wayan, Made, Nyoman and Ketut ( the four Balinese names used in order of birth) repeated three times over. We all laughed together: yes, things have changed for the better. We also met Los, her older brother, who works along Segara Ayu at a little booth next door to Witti, offering information and selling tickets for the large boat tours further north. I am keen to chat further with Los about the old days, to see if, as a teenager, he remembers the chaos and horror of the civil war period that followed the earthquake in the 1960s, though most Balinese don’t want to talk of those times.
After we finished our Tipat, a tasty and extremely filling vegetarian dish resembling, in some ways, a gado-gado, Witti brought out a little plate of crispy fried Jackfruit, an unusual sweet taste sensation. Sweet and crispy, the batter was as light as tempura but golden in colour. We promised to return for breakfast the next day to try her crispy fried sweet potato, pineapple and banana, washed down with Bali black coffee. On other occasions, we simply popped in for a cold beer and peanuts. Witti cooks peanuts and garlic together and serves them hot and fresh on a large saucer. One Bintang beer, some fresh nuts, a good sunset and a chat: life is sweet.
More about Tipat Cantok
A Balinese Tipat Tahu Cantok is a common traditional Balinese dish that can be found almost anywhere in Bali. It’s made of mixed steamed vegetables (water lily, long beans and bean sprout) which are mixed with steamed rice cake( tipat) and fried tofu mixed with peanut sauce. The sauce is made from freshly fried whole un-skinned peanuts, garlic, white pepper, coriander, purple shallot, chili and fermented soy paste. Tipat Cantok can be found in local small Balinese warungs but is rarely found in big restaurants.
As a footnote to this post, Indonesians live with the fearful presence of volcanoes and earthquakes. With all that beauty and fertility comes disaster from time to time. Mt Agung continues to vent, there are still over 1,500 Balinese evacuees. Agung only tends to become news worthy in the Western press when it affects air traffic and the plight of the traveller. Meanwhile, we awake to the sad news of another earthquake, following one from 10 days ago, on the neighbouring island of Lombok. If you are looking for a reliable place to chip in a few dollars or euros for food and emergency supplies, follow the link below. If you have ever spent time in Lombok, or its Gili islands, you will appreciate how important this help is. Big or small, donations make a difference.
Update: Thousands (22,000) local residents of Lombok residents are homeless and without aid. If 1000 readers of this blog donated $10, $10,000 would be raised to provide immediate relief by those volunteers on the ground. If you can’t donate, please share the following link to your social media networks.
This post is about a special clothing designer store in Sanur Bali, but it is also my tribute to Sarina, a modern Balinese woman, who is full of beans. She is humourous, intelligent, worldly and an assertive feminist. The real Bali reveals itself through continued conversation and friendships made over the years and I enjoy re-visiting Sarina annually.
A trip to Sanur, Bali would not be complete without a few visits to Sarina’s shop. Sarina is a qualified dressmaker, producing designer clothes, mostly in classic styles in good quality fabric. She is an exporter, but also keeps a range in her little shop. Her stock comes in a vast size range from size 8 to 22. Over the last 7 years I’ve bought a variety of plain coloured tops from Sarina. They wash well a never pill or shrink and wear so well. I’m still have pieces from five years ago.
This is a most un-Balinese shop. Sarina doesn’t really stock typical Balinese holiday wear, her clothes are not tropical. She doesn’t negotiate on the price, but nor does she haggle or insist that you buy anything. Her display is not very appealing, with huge bags stacked around the room; her shop doubles as her warehouse. She specialises in heavier cotton fabrics more suitable for Melbourne or Paris, useful classic casual clothing, mostly tops and bottoms rather than dresses. There are a few frivolous, blingy multi- coloured pieces but most people who know about this secret designer store will be hunting down her plain coloured classic skirts and tops. She doesn’t need to spruke or promote her wares, relying on repeat customers and word of mouth. I was introduced to Sarina by a good friend: last year I introduced some friends and family. This is how it works.
The prices in Sarina’s store are fixed and a good deal more expensive than what she calls ‘Bali shit,’ the cheap mass- produced little dresses that are commonly seen throughout Bali. A good sleeveless top might cost around AU$13 or so, a little more for skirts and cardigans. You can also buy Sarina’s tops in Williamstown ( a suburb in Melbourne) for over $50, so her prices are comparatively very reasonable. It’s a good opportunity to stock up on some useful layers.
Once you decide to try a few things on, you must submit yourself to Sarina who will fit and dress you before you get a chance to look in the mirror. A good tailor knows how things should sit: she will adjust the shoulders, and has a distaste for clothes that pull and stretch over the body. She will assess your size the moment you walk in the door. I usually ask her what’s new for the year, and she will begin dragging tops from big bags for me to try on. The experience is delightful and funny: you simply tell her what colours and styles you like and out they come. Accompanying males can sit on a chair inside and watch the show, or are seated outside in the market lane under a tree.
Once the commerce is over, I like to return to see Sarina for an occasional chat. As a feminist, she has very strong views about work, and raising daughters in Bali. She is independent, having worked to buy her own house. It is customary for young Balinese married women to live with their in-laws. Sarina travelled the world accompanied by her (then) young daughter, and through her hard work, has paid for her daughter’s university education. She cuts fabric from 6 am, then travels by motorbike to her Sindhu shop by 12 pm to open the shop, and returns home in the evening. After dinner at 9 pm, she still has more work to complete. Midst all this, Sarina, like all Balinese, attends to Hindu ceremony and ritual. Sometimes she arrives in her boyish loose jeans and checked shirts: at other times she is sarong clad, and ready for ceremony. Now at 58 years old, she is beginning to feel the strain of a hard working life and I can certainly relate to this. She is a human dynamo, agile, talkative, energetic and hilariously funny. I admire her greatly.
If you’re in Sanur, brave the walk down the narrow gang full of shops that make up Sindhu market, politely ignoring the many touts along the way, until you find shop number 19. Tell her I sent you. Ask for the latest designer sleeveless tops which come in black, teal and dark red, her cotton cardigans, striped long line tops and her ‘sucky tummy range’ of skirts and leggings. The title says it all.
Food, glorious food, glorious Balinese food. It’s one of the reasons I keep returning to this beautiful island. Good Balinese food is seductive yet quite subtle. Two famous Balinese sambals, sambal matah and sambal merah, add depth to a simple grilled fish or chicken, while the combination of white pepper and coriander seeds, turmeric and galangal, purple shallot, lemongrass, palm sugar, chilli, and terasi ( fish paste) are pounded together to make a rich tasting bumbu, or Balinese spice paste, the basis for a simple curry.
There are many tiers of eating establishments, or rumah makan, in Bali: you can pay a fortune at an upmarket international hotel, continuing to eat the cuisine from your home country, or watered down versions of local cuisine in a Western style restaurant, or you can try a more authentic and economical meal at a simple warung. A warung is a small family owned eating place, often located on the street or beach. Some may look a little ramshackle and temporary, often with small benches and plastic stools, and will usually be patronised by locals. Other modern warungs have sprung up in the beach suburbs around Sanur, but some bare no relationship to the real thing.
Many warungs are made from wooden, bamboo or thatched materials, perhaps with tin walls. In the past, the Warung tenda, a portable warung that looked like a tent, was more common, with roofing and walls made from Chinese blue and white plastic tarps. Other interesting warungs include kitchen carts on wheels, colourful bright blue Bakso stalls, motorbikes with gas cookers, and night market warungs set up with little tables and chairs. Warungs also tend to specialise in one or two dishes which are often based on a secret family recipe.
I’ll admit It takes a brave heart to venture into the tasty world of the street warung: you need to assess the cleanliness of these eateries and often that’s quite hard. Word of mouth, and popularity with locals- these are good indicators. Also check out the washing up facilities and water used. Good warungs are clean as hundreds of locals eat here every day. You may need to know a few food words, and simple phrases if you have special dietary preferences as often there’s no menu or price. Tanpa daging ( without meat) or tidak daging ( not meat) will suffice if you don’t eat meat. As food is often cooked to order, a warung cook is happy to adjust a recipe for you, leaving out ingredients that you don’t like.
Tasty selection for nasi campur
Nasi campur at Warung Santai
nasi campur, around $2.30 for rice and three selections. Warung Santai, a ‘westernised’ warung.
Not all warungs are cheap: a few located around the Sanur beaches have become famous, rating highly on TA and frequented more by tourists than locals. One popular grilled fish restaurant, Amphibia, operates flat-out from midday till late. They work from a small tin shed, and grill the fish and seafood on a charcoal BBQ set up on raised platforms outside. Bench seating is nearby. You order your fish, lobster, prawns, octopus, squid and clams by weight, then they are barbecued and served with rice and vegetable urab and sambal. These boys never stop. They buy the fish early in the morning at Jimbaran, then store it under ice in large tanks: during lulls in business, you can watch them tenderising and peeling octopus, cleaning prawns and fish, running hoses around the place and stoking the BBQ with charcoal. A share plate of snapper, prawn, shrimp, a few calamari rings and razor clams is AU$20. Sit on a little stool on the beach and share the platter, washed down with a Bintang beer.
Another Warung favoured by Westerners is Jackfish, a family run business right on the beach just past Semawang. Nyoman, the brains behind this warung, trained as a mechanical engineer but after working off shore for years, decided to open a fish themed Warung. His mother waits on tables and makes the Urab ( mild tasting Balinese salad made from bean shoots, green beans and coconut ). His father sorts cutlery and napkins and helps with the accounts. Nyoman does the grilling, waiting on tables and everything else. The family come from five generations of fishermen, and now source their daily deliveries from local sources. They often cater for large parties so check before hand as Jackfish closes when they do large groups. When I’m staying in the Semawang end of Sanur, I eat at Jackfish everyday, it’s that good.
When in the mood for snacks, I head for warungs specialising in deep-fried foods, called Gorengun. At these little carts you’ll find feep fried springrolls, deep-fried tofu or Tahu Isi ( Tofu stuffed with bean shoots) and battered gado-gado and other things with tofu, as well as an array of sweets such as Onde-Onde. A bag of 8 snacks will cost around AU$1 and will come with a few green chillies and chilli sauce.
The Warung situated right in front of the Bunjar Pantai Semawang, has great ocean views and is well sheltered from the wind. They do the best spring rolls in the district. Three large vegetable lumpia ( AU$1.50) make a tasty lunchtime snack. Try with a mug of hot lemon tea ( AU.65c) a fresh juice ( AU$1.50) or cut straight to the chase with a chilled Bintang to wash them down.